Cambridge Cambridge University Press 1983 Trade paperback New. Trade paperback (US). 328 p. Cambridge Greek and Latin Classics . Worked examples or Exercises. Intended for professional and scholarly audience.

Cambridge University Press 1983 Softcover Very Good 0521270111. Rear wrap creased. Pages tanned. Scholar's name to ffep (D. Gerber).; Cambridge Greek and Latin Classics; 328 pages; The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction, Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles-plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is suitable for undergraduates and students in the upper forms of schools. It also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too.

Cambridge University Press. Very Good. Date: 1983. Softcover. 0521270111 . Rear wrap creased. Pages tanned. Scholar's name to ffep (D. Gerber). ; Cambridge Greek and Latin Classics; 328 pages; The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction, Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles - plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is suitable for undergraduates and students in the upper forms of schools. It also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too. . 1983. Cambridge University Press ISBN 0521270111 9780521270113 [CA]

Cambridge Univ Pr 1983 Softcover New 328 pages. 7.50x5.00x0.75 inches.

Cambridge Univ Pr, Date: 1983. Paperback. New. 328 pages. 7.50x5.00x0.75 inches. 1983. Cambridge Univ Pr ISBN 0521270111 9780521270113 [GB]

Cambridge Univ Pr, Date: 1983. Paperback. New. 328 pages. 7.50x5.00x0.75 inches. 1983. Cambridge Univ Pr ISBN 0521270111 9780521270113 [GB]