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Oxford University Press, 4/25/2011 12:00:01 A. paperback. Very Good. 0.5118 6.8110 4.4094. Date: 2000. Oxford University Press ISBN 0199730768 9780199730766 [US]
Oxford University Press, Incorporated, Date: 2011. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2011. Oxford University Press, Incorporated ISBN 0199730768 9780199730766 [US]
Oxford University Press, Incorporated. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0199730768 9780199730766 [US]
Oxford University Press, Incorporated. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0199730768 9780199730766 [US]
Paperback / softback. New. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals. ISBN 0199730768 9780199730766 [GB]
Kelly Thomas Forrest Morton B. Knafel Professor of Music Morton B. Knafel Professor of Music Harvard University
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along wit ISBN 0199730768 9780199730766 [GB]
Oxford University Press, Date: 2011-04-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2011. Oxford University Press ISBN 0199730768 9780199730766 [US]
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc Jun 2011] Softcover Neuware - The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the 'Cecilian movement' in later 19th-century Germany seeking to immortalize Palestrina's music as a sound-ideal; Mendelssohn's revival of Bach: these are someof the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with theconviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories. In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every ...
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc Jun 2011] Softcover Neuware - The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the 'Cecilian movement' in later 19th-century Germany seeking to immortalize Palestrina's music as a sound-ideal; Mendelssohn's revival of Bach: these are someof the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with theconviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories. In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every ...
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc] Softcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2011]
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc, New York] Softcover Paperback. From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls.In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should ...
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc] Softcover First Edition 2011. 1st Edition. Paperback. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals. Series: Very Short Introductions. Num Pages: 144 pages, 10 black and white halftones. BIC Classification: AVGC1. Category: (G) General (US: Trade). Dimension: 114 x 178 x 10. Weight in Grams: 130. . . . . . [Galway, GY, Ireland] [Publication Year: 2011]
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc, New York] Softcover Paperback. From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls.In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should ...
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc] Softcover 2011. 1st Edition. Paperback. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals. Series: Very Short Introductions. Num Pages: 144 pages, 10 black and white halftones. BIC Classification: AVGC1. Category: (G) General (US: Trade). Dimension: 114 x 178 x 10. Weight in Grams: 130. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2011]
ISBN10: 0199730768, ISBN13: 9780199730766, [publisher: Oxford University Press Inc, New York] Softcover Paperback. From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls.In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should ...
Oxford University Press Inc 2011 Paperback New 2011. 1st Edition. Paperback. In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals. Series: Very Short Introductions. Num Pages: 144 pages, 10 black and white halftones. BIC Classification: AVGC1. Category: (G) General (US: Trade). Dimension: 114 x 178 x 10. Weight in Grams: 130......We ship daily from our Bookshop.
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