ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover Used in very good condition. Fast Shipping and good customer service
[Fayetteville, TX, U.S.A.] [Publication Year: 1986]

Cambridge, MA: Harvard University Press, Date: 1986. First edition. Softcover. 177 pages. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers. 1986. Harvard University Press ISBN 0674959612 US

new oversize pob, expedited & internatiinal shipping not available Date: 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Cambridge: Harvard University Press] Softcover Softcover, 177 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
[New York, NY, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press 1986-07-01, Cambridge, Mass. |London] Softcover Language: ENG
[London, United Kingdom] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
[Portland, ME, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press 1986-07-01, Cambridge, Mass. |London] Softcover Language: ENG
[London, United Kingdom] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, United States, Cambridge, Mass] Softcover Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the worlds most prominent abstract painters. Frank Stella describes his perception of other artists work, as well as his own, in this handsomely illustrated volume. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more real space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Gericault and Manet, themselves the precursors of modern painting. Unfortunately, both contemporary abstract art and figurative painting have become trapped by ...

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, Cambridge] Softcover First Edition As new.
[Pasadena, CA, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, Cambridge, Massachusetts, and London, England] Softcover 27.5 x 23.5 cm. Quarto. 177pp. Some shelf wear to the edges of the covers.
[St. Paul, MN, U.S.A.] [Publication Year: 1986]
Show/Hide image

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover
[Denver, CO, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, United States, Cambridge, Mass] Softcover Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the worlds most prominent abstract painters. Frank Stella describes his perception of other artists work, as well as his own, in this handsomely illustrated volume. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more real space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Gericault and Manet, themselves the precursors of modern painting. Unfortunately, both contemporary abstract art and figurative painting have become trapped by ...

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover
[London, United Kingdom] [Publication Year: 1986]

Cambridge, MA: Harvard University Press, Date: 1986. Softcover. VG (edge-wear to covers; lower corner rubbed. light stain to textblock edge. interior clean & bright). Grey color illustrated glossy wraps. 177 pp. 36 color, 55 bw plates. Includes laid-in New Yorker profile of Frank Stella from September 10, 1984. 1986. Harvard University Press ISBN 0674959612 US

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, Cambridge, MA] Softcover Grey color illustrated glossy wraps. 177 pp. 36 color, 55 bw plates. Includes laid-in New Yorker profile of Frank Stella from September 10, 1984. VG (edge-wear to covers; lower corner rubbed. light stain to textblock edge. interior clean & bright)
[Marietta, PA, U.S.A.] [Publication Year: 1986]
Show/Hide image

Harvard University Press. As New in Near Fine dust jacket. Date: 1986. First Edition. Hardcover. 0674959612 . HARDCOVER with clipped price corner and crease to dust jacket flap, otherwise as new. ; Black and white illustrations; 0.5 x 10.9 x 8.9 Inches; 192 pages; "Working Space" affords an opportunity to view painting through the eyes of one of the world's foremost abstract painters. Frank Stella uses the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in the late 20th century. Professionals, students, collectors and art lovers should find Stella's non-traditional evaluations of the masters' work controversial and his fresh concepts provocative. . 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press 1986 First Edition Hardcover As New in Near Fine dust jacket 0674959612. HARDCOVER with clipped price corner and crease to dust jacket flap, otherwise as new.; Black and white illustrations; 0.5 x 10.9 x 8.9 Inches; 192 pages; "Working Space" affords an opportunity to view painting through the eyes of one of the world's foremost abstract painters. Frank Stella uses the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in the late 20th century. Professionals, students, collectors and art lovers should find Stella's non-traditional evaluations of the masters' work controversial and his fresh concepts provocative.

Harvard University Press, Date: 1986-10-10. First Edition. paperback. Used:Good. 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press 7/1/1986 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

Paperback / softback. New. Here is a rare opportunity to view painting through the discerning eyes of one of the world's foremost abstract painters. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. ISBN 0674959612 9780674959613 [GB]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover New Book. Shipped from UK. Established seller since 2000.
[Wood Dale, IL, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover
[Castle Donington, DERBY, United Kingdom] [Publication Year: 1986]
Show/Hide image

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover In
[Uxbridge, United Kingdom] [Publication Year: 1986]

Cambridge, MA: Harvard University Press, Date: 1986. Paperback. Very Good/N/A. 3rd printing. VERY GOOD. Wrappers handled and edgeworn, corners bumped, a couple of leaves lightly bumped at fore-edge. 177 pp., 36 color plates. 55 figs. The Charles Eliot Norton Lectures, 1983-84. Size: 4to 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover Here is a rare opportunity to view painting through the discerning eyes of one of the world s foremost abstract painters. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time.&.
[Greven, Germany] [Publication Year: 1986]
Show/Hide image