Cambridge Harvard University Press 1986 Trade paperback New. Trade paperback (US). Glued binding. 192 p. Charles Eliot Norton Lectures, 40.

Harvard Univ Pr, Date: 1986. Paperback. New. 192 pages. 11.00x9.25x0.50 inches. 1986. Harvard Univ Pr ISBN 0674959612 9780674959613 [GB]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover Buy with confidence! Book is in new, never-used condition
[Amherst, NY, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard Univ Pr] Softcover 192 pages. 11.00x9.25x0.50 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1986]

Harvard University Press 7/1/1986 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press Okt 1986] Softcover Neuware - This book affords a rare opportunity to view painting from the inside out, through the eyes of one of the world's most prominent abstract painters. Frank Stella describes his perception of other artists' work as well as his own, in this generously illustrated volume.
[Einbeck, Germany] [Publication Year: 1986]
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Cambridge Harvard University Press 1986 Trade paperback New. Trade paperback (US). Glued binding. 192 p. Charles Eliot Norton Lectures, 40.

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, 1986] Softcover Pbk square 4to, 177pp., 36 color plates. 55 b+w plates, a new and unread copy, excellent clean tight unmarked as new, gift quality
[Norwich, VT, U.S.A.] [Publication Year: 1986]

Cambridge Harvard University Press 1986 Trade paperback New. Trade paperback (US). Glued binding. 192 p. Charles Eliot Norton Lectures, 40.

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, Cambridge, Mass] Softcover Paperback. Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the world's most prominent abstract painters. Frank Stella describes his perception of other artists' work, as well as his own, in this handsomely illustrated volume.Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more "real" space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens' broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Gericault and Manet, themselves the precursors of modern painting.Unfortunately, both contemporary abstract art and figurative painting ...
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Harvard University Press 1986-10-10 Paperback New Size: 142x11x174; New. In shrink wrap. Looks like an interesting title!

Harvard University Press, Date: 1986-10-10. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover Buy for Great customer experience
[Houston, TX, U.S.A.] [Publication Year: 1986]

Harvard University Press 1986 Trade paperback New 1986. First Edition (US) First Printing. Paperback. "Working Space" affords an opportunity to view painting through the eyes of one of the world's foremost abstract painters. Frank Stella uses the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in the late 20th century. Series: The Charles Eliot Norton Lectures. Num Pages: 192 pages, 36 color, 56 duotones. BIC Classification: ABA; ACXJ; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 228 x 12. Weight in Grams: 696......We ship daily from our Bookshop.

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Cambridge MA:] Softcover 178 pages, illustrated throughout. Signed by the artist in black pen on the title page. Paperback 23 x 28cms. ISBN: 0674959612.
[London, United Kingdom] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Cambridge MA:] Softcover 178 pages, illustrated throughout. Signed by the artist in black pen on the title page. Paperback 23 x 28cms. ISBN: 0674959612.
[London, United Kingdom] [Publication Year: 1986]