Cambridge Mit Press 2004 Hard cover Very good in very good dust jacket. Sewn binding. Cloth over boards. 240 p. Contains: Illustrations, black & white, Illustrations, color. Mit Press. Audience: General/trade.

The MIT Press 12/7/2004 Hardcover Very Good Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage. Has a small black line or red dot on bottom/exterior edge of pages.

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage. Has a small black line or red dot on bottom/exterior edge of pages.
[McKeesport, PA, U.S.A.] [Publication Year: 2004]

The MIT Press, Date: 2004-12-07. hardcover. Good. 7x0x9. 2004. The MIT Press ISBN 026202571X 9780262025713 [US]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover
[Memphis, TN, U.S.A.] [Publication Year: 2004]

The MIT Press 2004 Hardcover Fair Reading copy only-damaged /worn /marked. May be ex-libris Oversized.

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
[Goring-By-Sea, WS, United Kingdom] [Publication Year: 2004]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
[Goring-By-Sea, WS, United Kingdom] [Publication Year: 2004]

Cambridge:: MIT Press,. Near Fine in Fine dust jacket. Date: 2004. Hardcover. 026202571X . Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket. . 2004. MIT Press, ISBN 026202571X US

Cambridge: MIT Press, 2004 Hardcover Near Fine in Fine dust jacket 026202571X. Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket.

The MIT Press, Date: 2004. Hardcover. As new, clean, tight & bright condition, with bright and crisp dust jacket. 213pp. 2004. The MIT Press ISBN 026202571X 9780262025713 [US]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press,, Cambridge:] Hardcover First Edition Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket.
[Springfield, MA, U.S.A.] [Publication Year: 2004]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover New Copy. Customer Service Guaranteed
[Denver, CO, U.S.A.] [Publication Year: 2004]

Cambridge, MA: MIT Press, Date: 2004. Cloth, xi, 213 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. First Edition. Dust jacket protected in a mylar book cover. "In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically. Brennan makes new use of writings by Clement Greenberg and other powerful critics describing the works of Matisse, the postwar New York School abstract expressionists, and their successors, the post-painterly abstractionists. The paintings of Matisse, she argues, were represented in part as intellectually engaged and culturally respectable centerfolds. Brennan examines de Kooning's Woman series ...

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover
[Sioux Falls, SD, U.S.A.] [Publication Year: 2004]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover New. In shrink wrap. Looks like an interesting title! 1.41
[North Las Vegas, NV, U.S.A.] [Publication Year: 2004]

ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover 026202571X
[DH, SE, Spain] [Publication Year: 2004]