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Chicago: University of Chicago Press. Near Fine. Date: 2011. Sixth Printing. Paperback. 0226263193 . Large 8vo 9" - 10" tall; 352 pages; 2011 University of Chicago Press. Trade size paperback in glossy color pictorial covers. 6th printing. Tightly bound and fresh with just a hint of shelf evidence to cover edges. Illustrated with b&w photos and a section of color reproductions on glossy stock. Feels and appears generally unread and nearly as new. NF . 2011. University of Chicago Press ISBN 0226263193 9780226263199 [US]
Chicago University of Chicago Press 2011 Sixth Printing Paperback Near Fine 0226263193. Large 8vo 9"-10" tall; 352 pages; 2011 University of Chicago Press. Trade size paperback in glossy color pictorial covers. 6th printing. Tightly bound and fresh with just a hint of shelf evidence to cover edges. Illustrated with b&w photos and a section of color reproductions on glossy stock. Feels and appears generally unread and nearly as new. NF.
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press, Chicago] Softcover Large 8vo 9" - 10" tall; 352 pages; 2011 University of Chicago Press. Trade size paperback in glossy color pictorial covers. 6th printing. Tightly bound and fresh with just a hint of shelf evidence to cover edges. Illustrated with b&w photos and a section of color reproductions on glossy stock. Feels and appears generally unread and nearly as new. NF [Lancaster, PA, U.S.A.] [Publication Year: 2011]
Chicago, IL: Univ of Chicago Pr, Date: 1998. 1st Edition . Trade Paperback. Fine/No Jacket. 8vo - over 7¾ - 9¾" tall. Michael Fried's art criticism comprises some of the central texts of high modernism. This volume contains twenty-seven pieces, including the ambitious introduction to the catalog for the exhibition 'Three American Painters', the text of his book 'Morris Louis', and the epoch-defining "Art and Objecthood," the most widely discussed art-critical essay of the past several decades. Tiny signs of wear on two top corners. 1998. Univ of Chicago Pr ISBN 0226263193 9780226263199 [US]
Chicago, IL Univ of Chicago Pr 1998 1st Edition Trade Paperback Fine. No Jacket No Signatures. 8vo-over 7¾-9¾" tall. pp. 333. Michael Fried's art criticism comprises some of the central texts of high modernism. This volume contains twenty-seven pieces, including the ambitious introduction to the catalog for the exhibition 'Three American Painters', the text of his book 'Morris Louis', and the epoch-defining "Art and Objecthood, " the most widely discussed art-critical essay of the past several decades. Tiny signs of wear on two top corners.
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr, Chicago, IL] Softcover First Edition Michael Fried's art criticism comprises some of the central texts of high modernism. This volume contains twenty-seven pieces, including the ambitious introduction to the catalog for the exhibition 'Three American Painters', the text of his book 'Morris Louis', and the epoch-defining "Art and Objecthood," the most widely discussed art-critical essay of the past several decades. Tiny signs of wear on two top corners. [Rowe, MA, U.S.A.] [Publication Year: 1998]
Univ of Chicago Pr, Date: 1997. paperback. Very Good. 8x6x0. Text is clean and unmarked. Very minor shelf and perusal wear. Pages are tightly bound. Pictures upon request. 1997. Univ of Chicago Pr ISBN 0226263193 9780226263199 [US]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr] Softcover Text is clean and unmarked. Very minor shelf and perusal wear. Pages are tightly bound. Pictures upon request. [Arcata, CA, U.S.A.] [Publication Year: 1997]
Univ of Chicago Pr 1997 paperback Very Good Size: 8x6x0; Text is clean and unmarked. Very minor shelf and perusal wear. Pages are tightly bound. Pictures upon request.
Univ of Chicago Pr 1998 Paperback Very good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr] Softcover Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: The University of Chicago Press] Softcover 352 Seiten; 9780226263199.3 Sprache: Deutsch Gewicht in Gramm: 1 [Stuttgart, Germany] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press] Softcover Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 1998]
University of Chicago Press 1998 Trade paperback Fine All orders ship SAME or NEXT business day. Expedited shipments will be received in 1-5 business days within the United States. We proudly ship to APO/FPO addresses. 100% Satisfaction Guaranteed!
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press] Softcover Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy. [Grandview Heights, OH, U.S.A.] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: The University of Chicago Press] Softcover 352 Seiten; 9780226263199.3 Sprache: Deutsch Gewicht in Gramm: 1 [Stuttgart, Germany] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University Of Chicago Press] Softcover This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780226263199 [Lincoln, United Kingdom] [Publication Year: 2000]
University Of Chicago Press, Date: 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780226263199 2000. University Of Chicago Press ISBN 0226263193 9780226263199 [GB]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University Of Chicago Press] Softcover This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780226263199 [Lincoln, United Kingdom] [Publication Year: 2000]
Paperback / softback. New. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. ISBN 0226263193 9780226263199 [GB]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: The University of Chicago Press] Softcover New copy - Usually dispatched within 4 working days. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. [Southport, United Kingdom] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press] Softcover Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!! [Suffolk, United Kingdom] [Publication Year: 1998]
University Of Chicago Press 2000 Trade paperback This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN: 9780226263199.
Chicago, Illinois: University of Chicago Press, Date: 1998. Softcover. VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound). blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions bet ...
Chicago, Illinois: University of Chicago Press, Date: 1998. Softcover. VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound). blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions bet ...
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press, Chicago, Illinois] Softcover blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art cri ...
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within [Amherst, NY, U.S.A.] [Publication Year: 1998]
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
Chicago, Illinois University of Chicago Press 1998 Softcover VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound) Blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his ar ...
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: Univ of Chicago Pr] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 1998]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: University of Chicago Press] Softcover [Moncks Corner, SC, U.S.A.] [Publication Year: 1998]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
