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To give ones self earnestly to the duties due to men, and, while respecting spiritual beings, to keep aloof from them, may be called wisdom.
University of Illinois Press, Date: 2004-02-24. Hardcover. Very Good. 1.1102 9.1299 6.5709. 2004. University of Illinois Press ISBN 0252028503 9780252028502 [US]
University of Illinois Press, Date: 2004. Book. Very Good. Hardcover. 1st Edition. 185mm x 260mm. Jacket has minor general wear and no tears.Minimal foxing to edges of page-block. Internally very clean. Binding tight. 634pp A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces--black and white--that gradually allowed African Americans to enter the mainstream entertainment industry.. 2004. University of Illinois Press ISBN 0252028503 9780252028502 [AU]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover First Edition Jacket has minor general wear and no tears.Minimal foxing to edges of page-block. Internally very clean. Binding tight. 634pp A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces--black and white--that gradually allowed African Americans to enter the mainstream entertainment industry. Size: 185mm x 260mm [Gloucester, NSW, Australia] [Publication Year: 2004]
Chicago University of Illinois Press 2004 First edition. Hard cover Good in good dust jacket. Ex-library. Sewn binding. Cloth over boards. With dust jacket. 634 p. Contains: Illustrations. Music in American Life (Hardcover). Audience: General/trade.
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.35 [Dallas, TX, U.S.A.] [Publication Year: 2004]
University of Illinois Press 2004 Hardcover Good Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Urbana, IL: University of Illinois Press, Date: 2004. First Edition. Hardcover. Very Good/None. 634pp; No DJ, red cloth boards with silver titling to spine, boards square, clean & bright, minor staining to edges of textblock, text unmarked, binding is tight, VG condition. Extensive and detailed history of the first Black recording artists. Illustrated with photos. Also includes Appendix of Caribbean and South American Recordings by Dick Spottswood. 2004. University of Illinois Press ISBN 0252028503 9780252028502 [US]
Urbana, IL University of Illinois Press 2004 First Edition Hardcover Very Good in None jacket 634pp; No DJ, red cloth boards with silver titling to spine, boards square, clean & bright, minor staining to edges of textblock, text unmarked, binding is tight, VG condition. Extensive and detailed history of the first Black recording artists. Illustrated with photos. Also includes Appendix of Caribbean and South American Recordings by Dick Spottswood.
University of Illinois Press, Date: 2004. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2004. University of Illinois Press ISBN 0252028503 9780252028502 [US]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Urbana, IL] Hardcover First Edition 634pp; No DJ, red cloth boards with silver titling to spine, boards square, clean & bright, minor staining to edges of textblock, text unmarked, binding is tight, VG condition. Extensive and detailed history of the first Black recording artists. Illustrated with photos. Also includes Appendix of Caribbean and South American Recordings by Dick Spottswood. [Portland, OR, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover First Edition .Hardcover book & text in NEAR FINE CONDITION, neat, bright, clean & very slightly loose at top spine. Boards in VERY GOOD + CONDITION with top back left tip slightly bumped, very minor soiling on edges. Dust jacket in VERY GOOD CONDITION, edge wear, minor scuffs with some signs of use. [White Plains, NY, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2004]
Urbana: University of Illinois Press, Date: 2004. 634pp.. Signed by Author on ffep. 1st Printing. Hard Cover. Near Fine/DJ Near Fine. Thick Small Quarto. 2004. University of Illinois Press ISBN 0252028503 9780252028502 [US]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Urbana] Hardcover First Edition 634pp. Size: Thick Small Quarto [Tipp City, OH, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover New. In shrink wrap. Looks like an interesting title! 1.58 [North Las Vegas, NV, U.S.A.] [Publication Year: 2004]
University of Illinois Press, Date: 2004-02-24. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 2004. University of Illinois Press ISBN 0252028503 9780252028502 [US]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Baltimore] Hardcover Hardcover. Biographies of the first African-American recording stars, and how they succeeded against tremendous odds. The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices.Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumul ...
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover New! This book is in the same immaculate condition as when it was published [Tucson, AZ, U.S.A.] [Publication Year: 2004]
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Baltimore] Hardcover Hardcover. Biographies of the first African-American recording stars, and how they succeeded against tremendous odds. The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices.Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumul ...
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press] Hardcover 0252028503 [DH, SE, Spain] [Publication Year: 2004]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
