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Cambridge Mit Press 2004 Hard cover Very good in very good dust jacket. Sewn binding. Cloth over boards. 240 p. Contains: Illustrations, black & white, Illustrations, color. Mit Press. Audience: General/trade.
The MIT Press, 12/7/Date: 2004. Hardcover. Very Good. Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage. Has a small black line or red dot on bottom/exterior edge of pages. 2004. The MIT Press ISBN 026202571X 9780262025713 [US]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage. Has a small black line or red dot on bottom/exterior edge of pages. [McKeesport, PA, U.S.A.] [Publication Year: 2004]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 2004]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover As New condition Hardcover red cloth boards with red lettering on spine. Includes numerous b/w illustrations, Notes, Bibliography and Index, 213 pages. [Ojai, CA, U.S.A.] [Publication Year: 2004]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2004]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2004]
Cambridge:: MIT Press,. Near Fine in Fine dust jacket. Date: 2004. Hardcover. 026202571X . Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket. . 2004. MIT Press, ISBN 026202571X US
Cambridge:: MIT Press,. Near Fine in Fine dust jacket. Date: 2004. Hardcover. 026202571X . Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket. . 2004. MIT Press, ISBN 026202571X 9780262025713 [US]
The MIT Press, Date: 2004. Hardcover. As new, clean, tight & bright condition, with bright and crisp dust jacket. 213pp. 2004. The MIT Press ISBN 026202571X 9780262025713 [US]
Cambridge: MIT Press, 2004 Hardcover Near Fine in Fine dust jacket 026202571X. Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket.
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover 213pp. As new, clean, tight & bright condition, with bright and crisp dust jacket [Baldwin City, KS, U.S.A.] [Publication Year: 2004]
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press,, Cambridge:] Hardcover First Edition Color and black and white illustrations. First printing. INSCRIBED by the author to a previous owner. Light impression from a removed sticker on front free endpaper, else fine in a fine dust jacket. [Springfield, MA, U.S.A.] [Publication Year: 2004]
Cambridge, MA: MIT Press, Date: 2004. Cloth, xi, 213 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. First Edition. Dust jacket protected in a mylar book cover. "In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically. Brennan makes new use of writings by Clement Greenberg and other powerful critics describing the works of Matisse, the postwar New York School abstract expressionists, and their successors, the post-painterly abstractionists. The paintings of Matisse, she argues, were represented in part as intellectually engaged and culturally respectable centerfolds. Brennan examines de Kooning's Woman series perh ...
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: MIT Press, Cambridge, MA] Hardcover First Edition Cloth, xi, 213 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. First Edition. Dust jacket protected in a mylar book cover. "In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically. Brennan makes new use of writings by Clement Greenberg and other powerful critics describing the works of Matisse, the postwar New York School abstract expressionists, and their successors, the post-painterly abstractionists. The paintings of Matisse, she argues, were represented in part as intellectually engaged and culturall ...
ISBN10: 026202571X, ISBN13: 9780262025713, [publisher: The MIT Press] Hardcover 026202571X [DH, SE, Spain] [Publication Year: 2004]
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
