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Spring is a time for rebirth and the fulfilment of new life.
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Softcover First Edition Clean copy with well-bound, unmarked and undamaged pages. Outer cover has minor shelf wear. [Buffalo, NY, U.S.A.] [Publication Year: 1990]
MIT Press (MA) 1990 Hardcover Used-Very Good The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness-an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism-a version that today can be said to have insinuated the terms of postmodernism. This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented-'Parallel of Life and Art, ' 'Man, Machine and Motions, ' 'This Is Tomorrow, ' and 'An Exhibit. ' Above all ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: MIT Press (MA) March 1990] Hardcover The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - 'Parallel of Life and Art,' & ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Softcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. [Portland, ME, U.S.A.] [Publication Year: 1990]
The MIT Press, Date: 1990-03-28. Paperback. Good. 0.9000 in x 12.3000 in x 9.8000 in. Mild general wear. Pages clean. Binding sound, but has been bent. 1990. The MIT Press ISBN 0262181398 9780262181396 [US]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Softcover Mild general wear. Pages clean. Binding sound, but has been bent. [State College, PA, U.S.A.] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Softcover First Edition The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life a ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: MIT Press] Softcover Gently used book with ongoing seller support until you're fully satisfied with your purchase. [Del Rio, TN, U.S.A.] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Softcover First Edition No marks. Light to moderate shelfwear. One tear at bottom edge on back cover. [Buffalo, NY, U.S.A.] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Cambridge (Mass) and London The MIT Press 1990] Softcover First Edition quer-4° (31,5 x 25 cm) 256 S. mit vielen Abbildungen, Orig.-Leinen mit illustriertem Orig.-Umschlag. Erste Ausgabe.- Exhibition organised by Hood Museum of Art, Institute of Contemporary Arts, The Museum of Contemporary Art, Los Angeles, University Art Museum, University of California at Berkeley.- Schönes Exemplar. [Bremen, Germany] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Cambridge (Mass) and London The MIT Press 1990] Softcover First Edition quer-4° (31,5 x 25 cm) 256 S. mit vielen Abbildungen, Orig.-Leinen mit illustriertem Orig.-Umschlag. Erste Ausgabe.- Exhibition organised by Hood Museum of Art, Institute of Contemporary Arts, The Museum of Contemporary Art, Los Angeles, University Art Museum, University of California at Berkeley.- Schönes Exemplar. [Bremen, Germany] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: MIT Press Boston 1990] Hardcover 24.0 x 31.0cms (landscape), 256pp, b/w & Some Colour Illusts, evry good+ hardcover & dustwrapper (Exhibition Catalogue) The Institute of Contemporary Art's Independent Group launched Pop Art and theorised the aesthetics of the age of consumerism. This catalogue documents the exhibition's works, the exhibitions which the Group curated in the 1950s, selections from the Group's wriitngs, retrospective statements,and several related essays. [Sydney, NSW, Australia] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Softcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1 [Hawthorne, CA, U.S.A.] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Softcover Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1 [Tucson, AZ, U.S.A.] [Publication Year: 1990]
The MIT Press. Near Fine in Fine dust jacket. Date: 1990. First. Hardcover. 0262181398 . 12.3 X 9.8 X 0.9 inches . 1990. The MIT Press ISBN 0262181398 9780262181396 [US]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Hardcover 12.3 X 9.8 X 0.9 inches [Sherman Oaks, CA, U.S.A.] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Albe de Coker, London] Hardcover First Edition 16 x 24cm unpaginated. Near fine hardback with blue cloth boards with distinctive title. Produced for an exhibition at Gazelli Art House London 22nd January-6th March, 2016. With thirteen essays including This is Today by Rosie Ram, Archigram, Sir Eduardo Paolozzi and Derek Boshier. The foreword reads: 'This is Today, the gallery's largest group show to date, introduces the concept of creative lateral interdependency and opens an important dialogue between then and now.' Fully illustrated in colour and black and white. [London, United Kingdom] [Publication Year: 2016]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Hardcover First Edition The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art," " ...
Cambridge, Mass.: MIT Press, Date: 1990. 1st Edition 1st Printing. Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Well-illustrated and well-researched catalogue of an exhibition organized by the Hood Museum of Art, Dartmouth College ... [et al.] held between February 1, 1990 and August 18, 1991 at various locations. 256 p. : ill. (some col.) ; 25 x 31 cm. First edition, first printing. Yellow cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, some fading and a light crease to dust jacket, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. 1990. MIT Press ISBN 0262181398 9780262181396 [GB]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: MIT Press, Cambridge, Mass.] Hardcover First Edition Well-illustrated and well-researched catalogue of an exhibition organized by the Hood Museum of Art, Dartmouth College . [et al.] held between February 1, 1990 and August 18, 1991 at various locations. 256 p. : ill. (some col.) ; 25 x 31 cm. First edition, first printing. Yellow cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, some fading and a light crease to dust jacket, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. [Rochester, United Kingdom] [Publication Year: 1990]
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Albe de Coker, London] Hardcover First Edition 16 x 24cm unpaginated. Near fine hardback with blue cloth boards with distinctive title. Produced for an exhibition at Gazelli Art House London 22nd January-6th March, 2016. With thirteen essays including This is Today by Rosie Ram, Archigram, Sir Eduardo Paolozzi and Derek Boshier. The foreword reads: 'This is Today, the gallery's largest group show to date, introduces the concept of creative lateral interdependency and opens an important dialogue between then and now.' Fully illustrated in colour and black and white. [London, United Kingdom] [Publication Year: 2016]
Cuno, James; Jacquelynn Baas; Lawrence Alloway; et al
USD
60.00
Amatoria Fine Art Books, IOBA, CALIBA /Abebooks
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Hardcover Very Good 4to 9 3/4" x 12 1/4" yellow cloth over board art exhibit catalog, black stamped lettering to spine, minor wear to tips, head, tail, 2 dark spots stuck to bottom edge, black smudges down the edge of page 246, not effecting text, 1" thin black line on bottom of page 256, otherwise, crisp, sharp tips, and tightly bound. Near Fine pictorial dustjacket, yellow lettering to front and interior flaps, white lettering to spine, wraparound blue-toned, yellow-toned, and black-and-white Pop Art images, protected by a paper-backed Brodart sleeve, slight wear to tips, otherwise, clean and intact. [5] 256 pp., replete with full-color and black-and-white images, Foreword and Acknowledgements by Jacquelynn Baas, James Cuno, Richard Koshalek, Bill McAlister, Introduction and essays by Jacquelynn Baas, Chronology and essays by Graham Whithman, essay by Lawrence Alloway, Catalogue of Works in this Exhibition, essays by David Robbins, James Lingwood, Theo Crosby, Alison and Peter Smithson, Denise Scott Brown, Diane Kirkpatrick, David Thislewood, Barry Curtis, David Mellor, section "Selection from Critical Writings" with 8 authors, section "Retrospective Statements" by 13 authors, Appendix: An Account of the 1955 IG Meetings, and Bibliography. Published in conjunction with the traveling exhibition "The Independent Group: Postwar Britain and the Aesthetics of Ple ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: MIT Press, 1990.] Hardcover Hardcover exhibition catalog with dustjacket, 256 pages, very good condition; light rubbing to dj; first blank page is creased; no internal marks. Foreign shipping may be extra. [New York, NY, U.S.A.] [Publication Year: 1990]
"The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism. This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art," "Man, Machine and Motions," "This Is Tomorrow," and "An Exhibit." Above all, the book emphasizes t ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: M.I.T. Press, Cambridge] Softcover "The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism. This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art,&qu ...
Robbins, David (Editor), and Baas, Jacquelynn (Introduction by)
USD
89.31
a+mbookstore via Alibris /Alibris
Cambridge, MA MIT Press (MA) 1990 Trade paperback Very good in very good dust jacket. Sewn binding. Cloth over boards. 256 p. Contains: Illustrations. Audience: General/trade. "The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness-an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism-a version that today can be said to have insinuated the terms of postmodernism. This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG mem ...
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: Mit Pr] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 1990]
David Robbins Editor; Jacquelynn Baas Introduction; Lawrence Alloway Introduction;
USD
97.11
GridFreed LLC /Biblio
The MIT Press, Date: 1990-03-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1990. The MIT Press ISBN 0262181398 9780262181396 [US]
The MIT Press, Date: 1990. First Edition. Hardcover. Like New/Like New. First Edition, First Printing. Published by MIT Press, 1989. Quarto. Yellow cloth boards stamped in black with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. Some sticker residue on left flap. A fine copy of this art book on the history of the Independent Group and the rise of the Pop Art movement in Britain. 256 pages. ISBN: 0262181398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell! 1990. The MIT Press ISBN 0262181398 9780262181396 [US]
The MIT Press 1990 First Edition Hardcover Like New in Like New jacket First Edition, First Printing. Published by MIT Press, 1989. Quarto. Yellow cloth boards stamped in black with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. Some sticker residue on left flap. A fine copy of this art book on the history of the Independent Group and the rise of the Pop Art movement in Britain. 256 pages. ISBN: 0262181398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
ISBN10: 0262181398, ISBN13: 9780262181396, [publisher: The MIT Press] Hardcover First Edition First Edition, First Printing. Published by MIT Press, 1989. Quarto. Yellow cloth boards stamped in black with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. Some sticker residue on left flap. A fine copy of this art book on the history of the Independent Group and the rise of the Pop Art movement in Britain. 256 pages. ISBN: 0262181398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell! [Southampton, NY, U.S.A.] [Publication Year: 1990]
Alloway Lawrence Banham Mary Hamilton Richard Holroyd Geoffrey Cordell McHale Magda Morland Dorothy Paolozzi Edoardo del Renzio Toni Smithson Alison & Peter Stirling James Turnbull William St. John Wilson Colin
USD
164.84
artecontemporanea /Biblio
M.I.T. Press, Cambridge, Date: 1990. hardcover. fine. The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism., , This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art," "Man, Machine and Motions," " ...
Robbins David & Jacquelynn Baas & Lawrence Alloway
USD
2470.00
AB Books /Biblio
The MIT Press. New. Date: 1990. Hardcover. 0262181398 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, like new, pristine, never opened -- 256 pp. With 298 ills. (43 col. ). 25 x 32 cm. -- with a bonus offer-- . 1990. The MIT Press ISBN 0262181398 9780262181396 [US]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
