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ISBN10: 0500511926, ISBN13: 9780500511923, [publisher: Thames & Hudson] Hardcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 2005]
ISBN10: 0500511926, ISBN13: 9780500511923, [publisher: Thames and Hudson Ltd] Hardcover Most items will be dispatched the same or the next working day. [Rossendale, LANCS, United Kingdom] [Publication Year: 2005]
ISBN10: 0500511926, ISBN13: 9780500511923, [publisher: Thames and Hudson Ltd] Hardcover Most items will be dispatched the same or the next working day. [Rossendale, LANCS, United Kingdom] [Publication Year: 2005]
ISBN10: 0500511926, ISBN13: 9780500511923, [publisher: Thames & Hudson] Hardcover 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD. [Suffolk, United Kingdom] [Publication Year: 2005]
Thames & Hudson. New. Date: 2004. Hardcover. 0500511926 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED -- - Corresponds to ISBN: 0500511926. 240 pages. Description: "Walter B. Denny, Professor of Art History at the University of Massachusetts, offers new perspectives on one of the most popular Islamic art forms. Covering both Iznik pièces de forme and the famous Iznik tiles that decorate Ottoman imperial monuments, the book integrates the entire spectrum of Iznik production, both titles and wares, with the broader artistic tradition in which it originated. Professor Denny begins with a discussion of the particular nature of Islamic art under the Ottomans. He then examines the relationship between the court style of Istanbul and the ceramic ateliers in Iznik in nearby Bithynia, and the crucial role of two styles—dubbed by the author the "enchanted forest" and 'heavenly garden' (the saz and aux quartre fleurs styles) —and their creators, Shah Kulu and Kara Memi. Finally, he covers Iznik works with human or animal imagery, the patronage of non-Muslim communities within the Ottoman Empire, and the chronicle of destruction and damage of tiled monuments due to war, earthquake, and fire. The book ends with a look at the extraordinary historical legacy of Iznik ceramics, from early imitations i ...
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