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ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
Cambridge University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Cambridge University Press ISBN 0521845297 9780521845298 [US]
Cambridge University Press 2005 Hard cover Fine Books In Good Condition. May Have a Small Publisher Mark. Ship Via Fedex. Shipping Time 7 To 10 Days. Bookseller With Over 20 Years In Book Trade.
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. [Irving, TX, U.S.A.] [Publication Year: 2005]
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover pp. x + 234 Illus. [Hounslow, United Kingdom] [Publication Year: 2005]
Cambridge Cambridge University Press 2005 Hard cover New. 246 p. New Perspectives in Music History and Criticism . Intended for professional and scholarly audience.
Cambridge University Press, Date: 2005-01-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 2005. Cambridge University Press ISBN 0521845297 9780521845298 [US]
Cambridge Cambridge University Press 2005 Hard cover New. 246 p. New Perspectives in Music History and Criticism . Intended for professional and scholarly audience.
Cambridge Cambridge University Press 2005 Hard cover New. New Perspectives in Music History and Criticism . Intended for professional and scholarly audience.
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover Like New [Redhill, SURRE, United Kingdom] [Publication Year: 2005]
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - Monteverdi's Unruly Women examines the composer's madrigals and music dramas for what they can tell us about the musical and cultural world of singing and the voice in early modern Italy. Monteverdi's music demanded trained, female voices to make dramatic and expressive statements. At a time when singing was not entirely acceptable for respectable women his music allowed women to use their voices to gain power. Bonnie Gordon also explores the social and musical environment in which the singers lived and worked. Using key primary source material such as singing treatises and Renaissance writings on medicine and acoustics, Gordon contributes to two distinct disciplines: she brings an increased engagement with medical and literary representations of the female body to the growing field of scholarship treating gender and music, and adds to a well-established industry of scholarship devoted to the perception of gender and the body in early modern Europe. [Einbeck, Germany] [Publication Year: 2005]
ISBN10: 0521845297, ISBN13: 9780521845298, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - Monteverdi's Unruly Women examines the composer's madrigals and music dramas for what they can tell us about the musical and cultural world of singing and the voice in early modern Italy. Monteverdi's music demanded trained, female voices to make dramatic and expressive statements. At a time when singing was not entirely acceptable for respectable women his music allowed women to use their voices to gain power. Bonnie Gordon also explores the social and musical environment in which the singers lived and worked. Using key primary source material such as singing treatises and Renaissance writings on medicine and acoustics, Gordon contributes to two distinct disciplines: she brings an increased engagement with medical and literary representations of the female body to the growing field of scholarship treating gender and music, and adds to a well-established industry of scholarship devoted to the perception of gender and the body in early modern Europe. [Einbeck, Germany] [Publication Year: 2005]
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