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If youth is a fault, it is one which is soon corrected.
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 1996]
Princeton University Press 1996 paperback Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Used - Very Good [Baltimore, MD, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover A readable copy. All pages are intact, and the cover is intact. Dust jacket may be missing. Pages can include considerable highlighting markings writing but cannot obscure the text. May be an Ex-lib. copy and have standard library stamps and or stickers. May NOT include discs, or access code or other supplemental material. We ship Monday-Saturday and respond to inquiries within 24 hours. [Burlington, NJ, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press, 1996] Softcover First Edition 8vo, card covers, vii, 367pp. First paperback printing. VG: clean covers with mild dust soiling and rubbing to the rear, a trifling nick to the head of the spine; a mark to the fore edge; tight binding; clean and unmarked text. [Brooklyn, NY, U.S.A.] [Publication Year: 1996]
Princeton University Press, Date: 1996. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1996. Princeton University Press ISBN 0691029261 9780691029269 [US]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Gently used book with ongoing seller support until you're fully satisfied with your purchase. [Pflugerville, TX, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 1997]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 1997]
Princeton University Press 2/25/1997 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Princeton University Press 2/25/1997 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. Num Pages: 376 pages, black & white illustrations. BIC Classification: 1D; ACV; ACX; JFCX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 236 x 162 x 23. Weight in Grams: 564. . 1996. Paperback. . . . . [Galway, GY, Ireland] [Publication Year: 1997]
Paperback / softback. New. Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. ISBN 0691029261 9780691029269 [GB]
Princeton University Press 2/25/1997 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover New copy - Usually dispatched within 4 working days. Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. [Southport, United Kingdom] [Publication Year: 1996]
Princeton University Press 1997 Trade paperback New Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. Num Pages: 376 pages, black & white illustrations. BIC Classification: 1D; ACV; ACX; JFCX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 236 x 162 x 23. Weight in Grams: 564. 1996. Paperback.....We ship daily from our Bookshop.
Princeton University Press, Date: 1996-12-23. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1996. Princeton University Press ISBN 0691029261 9780691029269 [US]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. Num Pages: 376 pages, black & white illustrations. BIC Classification: 1D; ACV; ACX; JFCX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 236 x 162 x 23. Weight in Grams: 564. . 1996. Paperback. . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press, New Jersey] Softcover Paperback. In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters.In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective.His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressio ...
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover Buy with confidence! Book is in new, never-used condition [Amherst, NY, U.S.A.] [Publication Year: 1996]
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press, New Jersey] Softcover Paperback. In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters.In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective.His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressio ...
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters.In describing the canon-building of modern dealerships, Jensen considers the new 'ideological dealer' and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and 'independent art' and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themsel ...
ISBN10: 0691029261, ISBN13: 9780691029269, [publisher: Princeton University Press, New Jersey] Softcover Paperback. In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters.In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective.His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressio ...
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.