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University of Rochester Press, Date: 2003. Leather Bound. New. 223 pages. 9.00x6.25x1.00 inches. 2003. University of Rochester Press ISBN 1580461417 9781580461412 [GB]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: Boydell & Brewer Ltd] Hardcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2003]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: University of Rochester Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2003]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: BOYDELL & BREWER INC] Hardcover The life and works of one of the most difficult yet rewarding composers of modern time.Über den AutorPaul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker/I (1992-96) and since 1996 has written. [Greven, Germany] [Publication Year: 2003]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: University of Rochester Press] Hardcover New. In shrink wrap. Looks like an interesting title! 1.11 [North Las Vegas, NV, U.S.A.] [Publication Year: 2003]
Rochester University of Rochester Press 2003 Hard cover New. C. Sewn binding. Cloth over boards. With dust jacket. 238 p. Eastman Studies in Music, 25.
University of Rochester Press, Date: 2003-12-01. Leather Bound. New. New. In shrink wrap. Looks like an interesting title! 2003. University of Rochester Press ISBN 1580461417 9781580461412 [US]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: University of Rochester Press] Hardcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2003]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: BOYDELL & BREWER INC] Hardcover The life and works of one of the most difficult yet rewarding composers of modern time.Über den AutorPaul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker/I (1992-96) and since 1996 has written. [Greven, Germany] [Publication Year: 2003]
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: Boydell & Brewer Ltd, Rochester] Hardcover Hardcover. Jean Barraque is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art.Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker (1992-96) and since 1996 has written regularly for th ...
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: Boydell & Brewer Ltd, Rochester] Hardcover Hardcover. Jean Barraque is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art.Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker (1992-96) and since 1996 has written regularly for th ...
ISBN10: 1580461417, ISBN13: 9781580461412, [publisher: University of Rochester Press] Hardcover [DH, SE, Spain] [Publication Year: 2003]
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