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Action may not always bring happiness; but there is no happiness without action.
nai010 publishers, Date: 2006-03-01. Paperback. Good. Highlighting in first 66 pp, and pp 1981-204. Otherwise sturdy good copy. Ea 2006. nai010 publishers ISBN 9056624679 9789056624675 [US]
Rotterdam: NAi Publishers, Date: 2005. Softcover. VG, clean, tight contents but art school ex-lib. with usual marks.. Turquoise/white wraps with cover image and white lettering. 220 pp. with occasional bw images. Text in English. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? Lutticken, who teaches at the University of Amsterdam and stokes the media machine himself by writing regularly for "Artforum, " the "New Left Review" and "Afterimage, " considers the work of artists including Stan Douglas, Andrea Fraser, Tino Sehgal, Jeff Wall, Marcel Broodthaers, Andy Warhol, Georges Bataille and Guy Debord. To mark the publication of this, his first book, debates are being organized in Amsterdam, Brussels, London and New York. 2005. NAi Publishers ISBN 9056624679 US
Rotterdam: NAi Publishers, Date: 2005. Softcover. VG, clean, tight contents but art school ex-lib. with usual marks.. Turquoise/white wraps with cover image and white lettering. 220 pp. with occasional bw images. Text in English. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? Lutticken, who teaches at the University of Amsterdam and stokes the media machine himself by writing regularly for "Artforum, " the "New Left Review" and "Afterimage, " considers the work of artists including Stan Douglas, Andrea Fraser, Tino Sehgal, Jeff Wall, Marcel Broodthaers, Andy Warhol, Georges Bataille and Guy Debord. To mark the publication of this, his first book, debates are being organized in Amsterdam, Brussels, London and New York. 2005. NAi Publishers ISBN 9056624679 9789056624675 [US]
ISBN10: 9056624679, ISBN13: 9789056624675, [publisher: NAi Publishers, Rotterdam] Softcover Turquoise/white wraps with cover image and white lettering. 220 pp. with occasional bw images. Text in English. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? Lutticken, who teaches at the University of Amsterdam and stokes the media machine himself by writing regularly for "Artforum, " the "New Left Review" and "Afterimage, " considers the work of artists including Stan Douglas, Andrea Fraser, Tino Sehgal, Jeff Wall, Marcel Broodthaers, Andy Warhol, Georges Bataille and Guy Debord. To mark the publication of this, his first book, debates are being organized in Amsterdam, Brussels, London and New York. VG, clean, tight contents but art school ex-lib. with usual marks. [Marietta, PA, U.S.A.] [Publication Year: 2005] ...
ISBN10: 9056624679, ISBN13: 9789056624675, [publisher: NAI Publishers] Softcover Paperback. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? L tticken, who teaches at the University of Amsterdam and stokes the media machine himself by writing regularly for Artforum, the New Left Review and Afterimage, considers the work of artists including Stan Douglas, Andrea Fraser, Tino Sehgal, Jeff Wall, Marcel Broodthaers, Andy Warhol, Georges Bataille and Guy Debord. To mark the publication of this, his first book, debates are being organized in Amsterdam, Brussels, London and New York. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? Ltticken, who teaches at the University of Amsterdam and stokes t ...
ISBN10: 9056624679, ISBN13: 9789056624675, [publisher: NAI Publishers] Softcover Paperback. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? L tticken, who teaches at the University of Amsterdam and stokes the media machine himself by writing regularly for Artforum, the New Left Review and Afterimage, considers the work of artists including Stan Douglas, Andrea Fraser, Tino Sehgal, Jeff Wall, Marcel Broodthaers, Andy Warhol, Georges Bataille and Guy Debord. To mark the publication of this, his first book, debates are being organized in Amsterdam, Brussels, London and New York. These thought-provoking essays from the first laureate of the Netherlands Foundation for Visual Arts, Design and Architecture's Prize for Art Criticism consider the central role of publicity as both a subject of and a power in contemporary art, and ask whether artists could create a publicity opposed to the mass media. How open are such alternatives? Would art that attempts to develop its own counter-publicity become a secret society? Ltticken, who teaches at the University of Amsterdam and stokes t ...
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
