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You cannot change anything in your life with intention alone, which can become a watered-down, occasional hope that you'll get to tomorrow. Intention without action is useless.
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: Mit Pr] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: Mit Pr] Hardcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover First Edition Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Dunfermline, United Kingdom] [Publication Year: 2005]
MIT Press, Date: 2005-01-01. Hardcover. Very Good/Good. 7x1x9. Full number line. Remainder stamp at top text block adjacent to spine. Hardbound book otherwise in extremely clean crisp condition. Dust jacket in mylar shows light rubbing to rear surface and a small semicircle (approx. 1.5") of light abrasion. 2005. MIT Press ISBN 0262033283 9780262033282 [US]
MIT Press 2005-01-01 Hardcover Very Good in Good jacket Size: 7x1x9; Full number line. Remainder stamp at top text block adjacent to spine. Hardbound book otherwise in extremely clean crisp condition. Dust jacket in mylar shows light rubbing to rear surface and a small semicircle (approx. 1.5") of light abrasion.
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover Full number line. Remainder stamp at top text block adjacent to spine. Hardbound book otherwise in extremely clean crisp condition. Dust jacket in mylar shows light rubbing to rear surface and a small semicircle (approx. 1.5") of light abrasion. [Portland, OR, U.S.A.] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover First Edition Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover First Edition Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
MIT Press, Date: 2005. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2005. MIT Press ISBN 0262033283 9780262033282 [US]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.46 [Dallas, TX, U.S.A.] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: Mit Pr] Hardcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2005]
Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. xiv, 486 pages, illustrations. First edition, first printing. Brown cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, small closed tear to top edge of rear cover, spine a little faded, stamped 'T' on top edge, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Date: 2005. MIT Press ISBN 0262033283 9780262033282 [GB]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press, Cambridge, MA] Hardcover First Edition Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. xiv, 486 pages, illustrations. First edition, first printing. Brown cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, small closed tear to top edge of rear cover, spine a little faded, stamped 'T' on top edge, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. [Rochester, United Kingdom] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: Mit Pr] Hardcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. [Tucson, AZ, U.S.A.] [Publication Year: 2005]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: Mit Pr] Hardcover Buy with confidence! Book is in new, never-used condition [Amherst, NY, U.S.A.] [Publication Year: 2005]
MIT Press. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. MIT Press ISBN 0262033283 9780262033282 [GB]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover Hardcover with dustjacket, 486 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra. [New York, NY, U.S.A.] [Publication Year: 2005]
MIT Press, Date: 2005. First Edition. Hardcover (Original Cloth). Near Fine Condition/Near Fine. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Dust Jacket is in very good condition, without tears or chips or other damage. Dust Jacket un-clipped. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; ISBN: 0262033283. ISBN/EAN: 9780262033282. All our pictures shown here are of the actual item, not stock photos. Inventory No: 9231. . 9780262033282 2005. MIT Press ISBN 0262033283 9780262033282 [AU]
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press] Hardcover First Edition Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Dust Jacket is in very good condition, without tears or chips or other damage. Dust Jacket un-clipped. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; ISBN: 0262033283. ISBN/EAN: 9780262033282. All our pictures shown here are of the actual item, not stock photos. Inventory No: 9231. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. [Katoomba, NSW, Australia] [Publication Year: 2005]
Cambridge, MA: MIT Press; Leonardo, Date: 2005. Cloth, xiv, 486 pages, illustrations; 24 cm. Near fine. Firm binding, clean inside copy. Remainder mark/top edge. Dust jacket protected in a mylar book cover. "Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the 'art object,' combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presen ...
Chandler, Annmarie, and Neumark, Norie (Edited by)
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79.50
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ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: MIT Press; Leonardo, Cambridge, MA] Hardcover First Edition Cloth, xiv, 486 pages, illustrations; 24 cm. Near fine. Firm binding, clean inside copy. Remainder mark/top edge. Dust jacket protected in a mylar book cover. "Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the 'art object,' combined with a political undermining of dominant art institutional practices, animated most distance art. After a sect ...
ISBN10: 0262033283, ISBN13: 9780262033282, [publisher: The Mit Press, Massachusetts.] Hardcover [Barcelona, BCN, Spain] [Publication Year: 2005]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
