ISBN10: 0472050532, ISBN13: 9780472050536, [publisher: University of Michigan Press 15 J] Softcover Old Roots, New Routes: The Cultural Politics of Alt.Country Music This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
[Wallingford, United Kingdom] [Publication Year: 2008]

ISBN10: 0472050532, ISBN13: 9780472050536, [publisher: University of Michigan Press 00/n /15 J] Softcover Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
[Reading, United Kingdom] [Publication Year: 2008]

University of Michigan Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. University of Michigan Press ISBN 0472050532 9780472050536 [US]

ISBN10: 0472050532, ISBN13: 9780472050536, [publisher: The University of Michigan Press, Ann Arbor] Softcover Paperback. Fluid by design, the term Alt.Country has forced even the genre's own mouthpiece, the magazine/website ""No Depression"", to declare its terrain to be 'alternative-country music (whatever that is)'. Although the parameters of Alt.Country have always been muddy, its origins - indeed, its patron saints - have been generally acknowledged to range from the Carter Family and Hank Williams - as interpreters of traditional American country - to the country-rock fusions of Gram Parsons and Steve Earle.From the start, the Alt.Country scene has consciously positioned itself in opposition to the slick country sounds emanating from Nashville hit-machines such as Garth Brooks and Shania Twain, but the genre's embracing of authenticity and disdain for commercialism - while simultaneously injecting into a traditional, working-class music form an often cosmopolitan flavor and ""Generation X"" values - has resulted in a fascinating hybrid full of contradictions.In ""Old Roots, New Routes"", Pamela Fox and Barbara Ching bring together a range of scholars to dissect, define, and explore the influences, meanings, and identity of this significant contemporary music form, providing in addition terms by which to approach the worlds of country and alternative music more generally. Individual es ...
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