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Cambridge University Press 2006 Hardcover Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
ISBN10: 0521780098, ISBN13: 9780521780094, [publisher: Cambridge University Press] Hardcover Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. [Harrisburg, PA, U.S.A.] [Publication Year: 2006]
ISBN10: 0521780098, ISBN13: 9780521780094, [publisher: Cambridge University Press] Hardcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 2006]
Cambridge Cambridge University Press 2005 Hard cover New. Glued binding. Paper over boards. 428 p. Contains: Unspecified, Halftones. Cambridge Companions to Music.
Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Cambridge Companion to Twentieth-Century Opera. ISBN 0521780098 9780521780094 [GB]
Cambridge University Press 12/8/2005 Hardback or Cased Book New in New jacket The Cambridge Companion to Twentieth-Century Opera (Hardback or Cased Book)
Hardback. New. This Companion explores the extraordinary diversity of opera in the twentieth century. The volume includes essays devoted to individual composers, from Debussy to John Adams, avant-garde music theatre, operettas and musicals, and filmed opera, and ends with a provocative discussion of the position of the genre in today's cultural marketplace. ISBN 0521780098 9780521780094 [GB]
Cambridge Cambridge University Press 2005 Hard cover New. Glued binding. Paper over boards. 428 p. Contains: Unspecified, Halftones. Cambridge Companions to Music.
Cambridge Cambridge University Press 2005 Hard cover New. Glued binding. Paper over boards. 428 p. Contains: Unspecified, Halftones. Cambridge Companions to Music.
Cambridge University Press. hardcover. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press ISBN 0521780098 9780521780094 [US]
ISBN10: 0521780098, ISBN13: 9780521780094, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. [Einbeck, Germany] [Publication Year: 2006] ...
ISBN10: 0521780098, ISBN13: 9780521780094, [publisher: Cambridge University Press] Hardcover Like New [Redhill, SURRE, United Kingdom] [Publication Year: 2006]
ISBN10: 0521780098, ISBN13: 9780521780094, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. [Einbeck, Germany] [Publication Year: 2006] ...
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