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The most formidable weapon against errors of every kind is reason.
New York: Cambridge University Press, Date: 2006. Hardcover. VG/VG (ex art library with usual stamps and labels on block, dj spine, title page verso, and inside rear cover. Pages are otherwise very clean and clear. Binding is tight.). Gray cloth boards with black spine lettering; color illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions usually ascribed to freedmen spoke to a much more complex reality than that presented in literature."--Jacket. Contents: Introduction : the Roman freedman, "freedman art," and Trimalchio --; pt. I.; Public life and assimilation --; 1.; Rebuilding Pompeii : the Popidius family and the temple of Isis --; 2.; The visibility of the Augustales in Pompeii --; 3.; Memory making in the funerary realm : the tomb of the Baker in Rome --; pt. II.; Social integration : Domus and family --; 4.; "Freedman taste" in Do ...
New York: Cambridge University Press, Date: 2006. Hardcover. VG/VG (ex art library with usual stamps and labels on block, dj spine, title page verso, and inside rear cover. Pages are otherwise very clean and clear. Binding is tight.). Gray cloth boards with black spine lettering; color illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions usually ascribed to freedmen spoke to a much more complex reality than that presented in literature."--Jacket. Contents: Introduction : the Roman freedman, "freedman art," and Trimalchio --; pt. I.; Public life and assimilation --; 1.; Rebuilding Pompeii : the Popidius family and the temple of Isis --; 2.; The visibility of the Augustales in Pompeii --; 3.; Memory making in the funerary realm : the tomb of the Baker in Rome --; pt. II.; Social integration : Domus and family --; 4.; "Freedman taste" in Do ...
Cambridge University Press, Date: 2006. As New copy, still in publisher's shrinkwrap.. First Edition. Hardcover. Collectible - Fine/Fine. 8vo - 8" - 9" Tall. 2006. Cambridge University Press ISBN 0521858895 9780521858892 [US]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press, New York] Hardcover Gray cloth boards with black spine lettering; color illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions usually ascribed to freedmen spoke to a much more complex reality than that presented in literature."--Jacket. Contents: Introduction : the Roman freedman, "freedman art," and Trimalchio --; pt. I.; Public life and assimilation --; 1.; Rebuilding Pompeii : the Popidius family and the temple of Isis --; 2.; The visibility of the Augustales in Pompeii --; 3.; Memory making in the funerary realm : the tomb of the Baker in Rome --; pt. II.; Social integration : Domus and family --; 4.; "Freedman taste" in Domus decoration --; 5.; To claim a Domus : the house of the Caecilii at Pompeii -- ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
New York Cambridge University Press 2006 Hardcover VG/VG (ex art library with usual stamps and labels on block, dj spine, title page verso, and inside rear cover. Pages are otherwise very clean and clear. Binding is tight. ) Gray cloth boards with black spine lettering; color illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions usually ascribed to freedmen spoke to a much more complex reality than that presented in literature."--Jacket. Contents: Introduction: the Roman freedman, "freedman art, " and Trimalchio--; pt. I.; Public life and assimilation--; 1.; Rebuilding Pompeii: the Popidius family and the temple of Isis--; 2.; The visibility of the Augustales in Pompeii--; 3.; Memory making in the funerary realm: the tomb of the Baker in Rome--; pt. II.; Social integration: Domus and family--; 4.; "Freedman taste" in Domus decoration--; 5 ...
Cambridge Univ. Press, Date: 2006. First Edition. Hardcover. Near Fine Condition/Near Fine. Fine/Near Fine 1st ed 2006 hardback, unclipped DJ. Light surface wear along jacket edges only, bright and unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; ISBN: 0521858895. ISBN/EAN: 9780521858892. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091472.. 9780521858892 2006. Cambridge Univ. Press ISBN 0521858895 9780521858892 [GB]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge Univ. Press] Hardcover First Edition Fine/Near Fine 1st ed 2006 hardback, unclipped DJ. Light surface wear along jacket edges only, bright and unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; ISBN: 0521858895. ISBN/EAN: 9780521858892. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091472. [Cambridge, CAMBS, United Kingdom] [Publication Year: 2006]
Cambridge University Press 2006 First Edition Hardcover New in New jacket Cambridge University Press, 2006. NEW copy, still in publisher's shrinkwrap. First Edition. Hardcover. New/New. 8vo-8"-9" Tall.
Cambridge University Press, Date: 2006. NEW copy, still in publisher's shrinkwrap.. First Edition. Hardcover. New/New. 8vo - 8" - 9" Tall. 2006. Cambridge University Press ISBN 0521858895 9780521858892 [US]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge Univ. Press] Hardcover First Edition Fine/Near Fine 1st ed 2006 hardback, unclipped DJ. Light surface wear along jacket edges only, bright and unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; ISBN: 0521858895. ISBN/EAN: 9780521858892. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091472. [Cambridge, CAMBS, United Kingdom] [Publication Year: 2006]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press, Cambridge, UK] Hardcover First Edition Explores the many ways that monuments and artistic commissions usually ascribed to Roman freed slaves "spoke to a much more complex reality than that presented in literature." Richly illustrated in b/w and colour. Grey cloth with black print. Clean and sound throughout with no markings or inscription. Jacket a little ruffled else Fine. 18 x 26cms with 294pp. We regret we are no longer able to ship to Denmark. All profits to Amnesty International. [Great Malvern, United Kingdom] [Publication Year: 2006]
Cambridge University Press 2006 hardcover Very good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 2006]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2006]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press, Cambridge] Hardcover First Edition Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memor ...
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2006]
Cambridge University Press 7/31/2006 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Hardback. New. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. ISBN 0521858895 9780521858892 [GB]
Cambridge University Press 7/31/2006 12: 00: 00 AM Hardcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover New copy - Usually dispatched within 4 working days. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. [Southport, United Kingdom] [Publication Year: 2006]
Cambridge Univ. Press 2006 First Edition Hardcover Near Fine Condition in Near Fine jacket 9780521858892. Fine/Near Fine 1st ed 2006 hardback, unclipped DJ. Light surface wear along jacket edges only, bright and unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; ISBN: 0521858895. ISBN/EAN: 9780521858892. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091472.
Cambridge University Press 7/31/2006 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press, Cambridge] Hardcover First Edition Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memor ...
Cambridge University Press 2006 Hard cover New In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. Num Pages: 312 pages, 140 b/w illus. 8 colour illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational. Dimension: 253 x 177 x 23. Weight in Grams: 978. 2006. 1st Edition. hardcover.....We ship daily from our Bookshop.
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. Num Pages: 312 pages, 140 b/w illus. 8 colour illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational. Dimension: 253 x 177 x 23. Weight in Grams: 978. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2006]
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press, Cambridge] Hardcover First Edition Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memor ...
ISBN10: 0521858895, ISBN13: 9780521858892, [publisher: Cambridge University Press] Hardcover Very Good Copy. Fast Shipment [Houston, TX, U.S.A.] [Publication Year: 2006]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
