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We are told to let our light shine, and if it does, we won't need to tell anybody it does. Lighthouses don't fire cannons to call attention to their shining- they just shine.
ISBN10: 0739168266, ISBN13: 9780739168264, [publisher: Lexington Books] Hardcover Dent to the bottom front edge of the cover. Otherwise clean and free from markings. Binding is tight. BP/Music Theory [Chestertown, MD, U.S.A.] [Publication Year: 2014]
ISBN10: 0739168266, ISBN13: 9780739168264, [publisher: Lexington Books] Hardcover Ships same day or next. Cover has minor damage but text is very good. This is a damaged return that has never been read or used. Expedited shipping available at checkout for domestic orders. [HAGERSTOWN, MD, U.S.A.] [Publication Year: 2014]
McCollum, Jonathan (Contributions by), and Hebert, David G (Contributions by), and Howard, Keith (Foreword by)
USD
70.96
Madison Booksellers via Alibris /Alibris
Lexington Books 2014 Hard cover Fair Ships same day or next. Cover has minor damage but text is very good. This is a damaged return that has never been read or used. Expedited shipping available at checkout for domestic orders.
Hardback. New. Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. ISBN 0739168266 9780739168264 [GB]
ISBN10: 0739168266, ISBN13: 9780739168264, [publisher: Lexington Books, Lanham, MD] Hardcover Hardcover. Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that the term historical ethnomusicology has begun to appear in programs of conferences and in publications (Nettl 2005, 274), and as recently as 2012 scholars similarly noted an increasing concern with the writing of musical histories in ethnomusicology (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are all ethnomusicologists now and that all ethnomusicology is historical (Stobart, 2008), yet we sense that such argumentswhile useful, and theoretically correctmay ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music.In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiographyand the related application of new ...
McCollum, Jonathan (Editor)/ Hebert, David G. (Editor)/ Howard, Keith (Foreward By)/ Howard, Keith (Contributor)
USD
195.96
Revaluation Books via Alibris /Alibris
Lexington Books 2014 Hardcover New 392 pages. 9.25x6.25x1.25 inches.
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