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ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller Publishers] Hardcover 224 Seiten Text Englisch - Archivexemplar - minor shelf-wear, mint inside - Einband und Schnitt leicht berieben/verstaubt - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1250 [München, Germany] [Publication Year: 1995]
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller Publishers] Hardcover 224 Seiten Text Englisch - Archivexemplar - minor shelf-wear, mint inside - Einband und Schnitt leicht berieben/verstaubt - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1250 [München, Germany] [Publication Year: 1995]
London: H. Miller, Date: 1994. Hardcover. VG (Boards are lightly edgeworn; interior is clean; binding is solid.)/VG- (Lightly edgeworn, scuffed, smudged.). Blue cloth boards with gilt lettering and design; 223 pp.; richly illustrated. "In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous Ghent Altarpiece; it has puzzled scholars to this day. It is a topic that occupied Pacht throughout his long career, and the present book is based on a series of lectures given at the University of Vienna in the 1960s and early 70s." "In this first English translation of the acclaimed German edition, Pacht examines the work of Jan and Hubert Van Eyck and their contemporaries in the context of a changing intellectual world - the transition from medieval thought to a perception that recognizes and embraces all facets of visible reality." "The illustrations, in colour and monochrome, cover not only the major work of the Brothers Van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in colour, of the entire Ghent Altarpiece."-- Jacket. 1994. H. Miller ISBN 1872501818 US
London: H. Miller, Date: 1994. Hardcover. VG (Boards are lightly edgeworn; interior is clean; binding is solid.)/VG- (Lightly edgeworn, scuffed, smudged.). Blue cloth boards with gilt lettering and design; 223 pp.; richly illustrated. "In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous Ghent Altarpiece; it has puzzled scholars to this day. It is a topic that occupied Pacht throughout his long career, and the present book is based on a series of lectures given at the University of Vienna in the 1960s and early 70s." "In this first English translation of the acclaimed German edition, Pacht examines the work of Jan and Hubert Van Eyck and their contemporaries in the context of a changing intellectual world - the transition from medieval thought to a perception that recognizes and embraces all facets of visible reality." "The illustrations, in colour and monochrome, cover not only the major work of the Brothers Van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in colour, of the entire Ghent Altarpiece."-- Jacket. 1994. H. Miller ISBN 1872501818 9781872501 ...
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: H. Miller, London] Hardcover Blue cloth boards with gilt lettering and design; 223 pp.; richly illustrated. "In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous Ghent Altarpiece; it has puzzled scholars to this day. It is a topic that occupied Pacht throughout his long career, and the present book is based on a series of lectures given at the University of Vienna in the 1960s and early 70s." "In this first English translation of the acclaimed German edition, Pacht examines the work of Jan and Hubert Van Eyck and their contemporaries in the context of a changing intellectual world - the transition from medieval thought to a perception that recognizes and embraces all facets of visible reality." "The illustrations, in colour and monochrome, cover not only the major work of the Brothers Van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in colour, of the entire Ghent Altarpiece."-- Jacket. VG (Boards are lightly edgeworn; interior is clean; binding is solid.) VG- (Ligh ...
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London H. Miller 1994 Hardcover VG (Boards are lightly edgeworn; interior is clean; binding is solid. ) in VG-(Lightly edgeworn, scuffed, smudged. ) jacket Blue cloth boards with gilt lettering and design; 223 pp.; richly illustrated. "In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous Ghent Altarpiece; it has puzzled scholars to this day. It is a topic that occupied Pacht throughout his long career, and the present book is based on a series of lectures given at the University of Vienna in the 1960s and early 70s." "In this first English translation of the acclaimed German edition, Pacht examines the work of Jan and Hubert Van Eyck and their contemporaries in the context of a changing intellectual world-the transition from medieval thought to a perception that recognizes and embraces all facets of visible reality." "The illustrations, in colour and monochrome, cover not only the major work of the Brothers Van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in colour, of the entire Ghent Altarpiece."--Jacket.
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller] Hardcover Publisher: Harvey Miller, London, 1994.FINE hardcover book in FINE mylar-protected dust-jacket. First English Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new. [Sedro Woolley, WA, U.S.A.] [Publication Year: 1994]
Harvey Miller 1997 hardcover Very good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller] Hardcover Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 1997]
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller] Hardcover Near Fine 8in x 11in hardcover in rich teal green cloth over boards, bright gilt lettering to spine, very minor bump to tips, very minor shelf wear to top edge, one small remainder dot to bottom edge else clean, tightly bound and unmarked throughout. Fine wraparound pictorial dustjacket featuring a detail of the van Eyck painting _Giovanni Arnolfini and Jeanne Cenami_ to covers and spine, white lettering to spine, no chips or tears, not price clipped, and protected by a paper-backed plastic sleeve. This is the 1994 English translated edition after the original German printing in 1989. The book is based on a series of lectures presented by medieval scholar Otto Pacht at the University of Vienna in the 1960s ad early 1970s. Pacht was chiefly concerned with the new painting that emerged so suddenly at the end of 14th and in the first half of 15th century Northern Europe including virtuoso artists the Master of Flemalle and the Brothers van Eyck, most notably the painting _Ghent Altarpiece_. From the dustjacket: _The illustrations, in colour and monochrome, cover not only the major work of the Brothers van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in color, of the entire Ghent Altarpiece._ 224 pp. including 154 black-and-white and full-color images, a Foreword by Professor Artur Rosenauer, an Introduction plus four segments tit ...
ISBN10: 1872501818, ISBN13: 9781872501819, [publisher: Harvey Miller] Hardcover New Copy. Customer Service Guaranteed [Denver, CO, U.S.A.] [Publication Year: 1994]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.