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Bern: Peter Lang, Date: 2010. Paperback in like new condition. New shop stock with minor shelf-wear, no faults. TA. Paperback. New. Used. 2010. Peter Lang ISBN 3039119745 9783039119745 [GB]
ISBN10: 3039119745, ISBN13: 9783039119745, [publisher: Peter Lang, Bern] Softcover Paperback. A few scores on covers. [Didcot, Oxfordshire, OXON, United Kingdom] [Publication Year: 2010]
ISBN10: 3039119745, ISBN13: 9783039119745, [publisher: Peter Lang, Bern] Softcover Paperback in like new condition. New shop stock with minor shelf-wear, no faults. TA [Didcot, Oxfordshire, OXON, United Kingdom] [Publication Year: 2010]
Paperback. New. Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. This book offers a critical approach to study of Ireland's colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into operations of colonial, and postcolonial discourse. ISBN 3039119745 9783039119745 [GB]
ISBN10: 3039119745, ISBN13: 9783039119745, [publisher: Peter Lang] Softcover Druck auf Anfrage Neuware - Printed after ordering - This book was shortlisted for the ESSE Junior Scholars book award for Cultural Studies in English, 2012 Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. The experiences of British colonialism in Ireland and India are marked by many commonalities, not least in terms of colonial and indigenous imaginings of the relationships between colony or former colony and imperial metropolis. Cinematic representations of Ireland and India display several parallels in their expressions and contestations of visions of Empire and national identity. This book offers a critical approach to the study of Ireland's colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into the operations of colonial, nationalist and postcolonial discourse. Drawing on postcolonial and cultural theory and employing Bakhtin's concept of dialogism, the author engages in close readings of a broad range of metropolitan and indigenous films spanning an approximately fifty-year period, exploring the complex relationships between cinema, colonialism, nationalism and postcolonialism and examining their role in the (re)construction of Irish and Indian identities. [Einbeck, Germany] [Publication Year: 2010] ...
ISBN10: 3039119745, ISBN13: 9783039119745, [publisher: Verlag Peter Lang, Pieterlen] Softcover First Edition Paperback. This book was shortlisted for the ESSE Junior Scholars book award for Cultural Studies in English, 2012 Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. The experiences of British colonialism in Ireland and India are marked by many commonalities, not least in terms of colonial and indigenous imaginings of the relationships between colony or former colony and imperial metropolis. Cinematic representations of Ireland and India display several parallels in their expressions and contestations of visions of Empire and national identity. This book offers a critical approach to the study of Irelands colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into the operations of colonial, nationalist and postcolonial discourse. Drawing on postcolonial and cultural theory and employing Bakhtins concept of dialogism, the author engages in close readings of a broad range of metropolitan and indigenous films spanning an approximately fifty-year period, exploring the complex relationships between cinema, colonialism, nationalism and postcolonialism and examining their role in the (re)construction of Irish and Indian identities. Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of ide ...
ISBN10: 3039119745, ISBN13: 9783039119745, [publisher: Peter Lang] Softcover Druck auf Anfrage Neuware - Printed after ordering - This book was shortlisted for the ESSE Junior Scholars book award for Cultural Studies in English, 2012 Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. The experiences of British colonialism in Ireland and India are marked by many commonalities, not least in terms of colonial and indigenous imaginings of the relationships between colony or former colony and imperial metropolis. Cinematic representations of Ireland and India display several parallels in their expressions and contestations of visions of Empire and national identity. This book offers a critical approach to the study of Ireland's colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into the operations of colonial, nationalist and postcolonial discourse. Drawing on postcolonial and cultural theory and employing Bakhtin's concept of dialogism, the author engages in close readings of a broad range of metropolitan and indigenous films spanning an approximately fifty-year period, exploring the complex relationships between cinema, colonialism, nationalism and postcolonialism and examining their role in the (re)construction of Irish and Indian identities. [Einbeck, Germany] [Publication Year: 2010] ...
Peter Lang, Date: 2011. Softcover. New. 2011. Peter Lang ISBN 3039119745 9783039119745 [IN]
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
