Art and Architecture in Italy, 1600â "1750 â " Volume 3: Late Baroque and Rococo, 1675â "1750 (The Yale University Press Pelican History of Art Series)

Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.

Montagu was for many years the curator of the Photographic collection at the Warburg Institute, University of London.

Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010.

Pinto is Howard Crosby Butler Memorial Professor, department of art history and archaeology, Princeton University.