Neal Stephenson is one of America's most collectible authors. The ever-growing number of his devoted readers has created a huge demand for signed and first trade editions of his works.
With Quicksilver: The Deluxe Limited Edition, William Morrow presents the first limited edition ever published of Neal Stephenson's work. Limited to a single edition of just 1,000 copies, the book is a beautifully designed example of the art of bookbinding. Each volume will be numbered and signed by Neal Stephenson. Collectors and readers alike will welcome the chance to add this handsome volume to their Neal Stephenson collection.
- Limited to an edition of 1,000 copies-never to be reprinted.
- Completely redesigned from the trade hardcover in a larger format-7" x 10".
- Each book numbered and signed by the author.
- Each volume hand-bound in Japanese silk.
- Each volume housed in a handsome slipcase featuring a die-cut aperture for the Quicksilver icon and covered in the same Japanese silk. The slipcase will also feature a silk ribbon pull for easy removal.
- Matching signed limited editions of the second and third volumes of Stephenson's Baroque Cycle will be published by William Morrow at six-month intervals.
In
Quicksilver, the first volume of the "Baroque Cycle," Neal Stephenson launches his most ambitious work to date. The novel, divided into three books, opens in 1713 with the ageless Enoch Root seeking Daniel Waterhouse on the campus of what passes for MIT in eighteenth-century Massachusetts. Daniel, Enoch's message conveys, is key to resolving an explosive scientific battle of preeminence between Isaac Newton and Gottfried Wilhelm Leibniz over the development of calculus. As Daniel returns to London aboard the
Minerva, readers are catapulted back half a century to recall his years at Cambridge with young Isaac. Daniel is a perfect historical witness. Privy to Robert Hooke's early drawings of microscope images and with associates among the English nobility, religious radicals, and the Royal Society, he also befriends Samuel Pepys, risks a cup of coffee, and enjoys a lecture on Belgian waffles and cleavage-—all before the year 1700.
In the second book, Stephenson introduces Jack Shaftoe and Eliza. "Half-Cocked" Jack (also know as the "King of the Vagabonds") recovers the English Eliza from a Turkish harem. Fleeing the siege of Vienna, the two journey across Europe driven by Eliza's lust for fame, fortune, and nobility. Gradually, their circle intertwines with that of Daniel in the third book of the novel.
The book courses with Stephenson's scholarship but is rarely bogged down in its historical detail. Stephenson is especially impressive in his ability to represent dialogue over the evolving worldview of seventeenth-century scientists and enliven the most abstruse explanation of theory. Though replete with science, the novel is as much about the complex struggles for political ascendancy and the workings of financial markets. Further, the novel's literary ambitions match its physical size. Stephenson narrates through epistolary chapters, fragments of plays and poems, journal entries, maps, drawings, genealogic tables, and copious contemporary epigrams. But, caught in this richness, the prose is occasionally neglected and wants editing. Further, anticipating a cycle, the book does not provide a satisfying conclusion to its 900 pages. These are minor quibbles, though. Stephenson has matched ambition to execution, and his faithful, durable readers will be both entertained and richly rewarded with a practicum in Baroque science, cypher, culture, and politics. --Patrick O'Kelley
