We're sorry; this book is no longer available. Continue Shopping.

The New American Cinema

Lewis

Published by Duke University Press, 1998
ISBN 10: 0822321157 / ISBN 13: 9780822321156
Used / Paperback / Quantity: 0
From ThriftBooks-Dallas (Dallas, TX, U.S.A.)
Available From More Booksellers
View all  copies of this book

About the Book

Description:

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.6. Seller Inventory # G0822321157I5N00

About this title:

Synopsis: This collection of essays provides the first comprehensive survey of Hollywood and independent films from the mid-sixties to the present. Deliberately eclectic and panoramic, The New American Cinema brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on this rich and pivotal era in American cinema.
The essays are divided into three sections: "Movies and Money," "Cinema and Culture," and "Independents and Independence." The first section focuses on the economics of the industry and analyzes the connection between the film business and the finished product. Topics include a look at the economic conditions that made the seventies’ auteur renaissance possible, the distribution of studio and independent films, and the recent spate of mergers and acquisitions that have come to characterize the new Hollywood. The second part of The New American Cinema deals with the political and cultural significance of war and Vietnam films (Platoon, Apocalypse Now, Born on the Fourth of July); "male rampage" films (Rambo, Lethal Weapon, Die Hard); women’s psychothrillers (The Silence of the Lambs); special effects pictures (2001: A Space Odyssey, Star Wars); and historical re-presentations (Oliver Stone’s JFK). The final section casts a keen eye on films produced and exhibited outside the commercial mainstream, examining the financial realities of "indie" films; the influence of independent filmmaker John Cassavetes on Coppola, Altman, and Scorsese; the stereotyping of African Americans in mainstream cinema; and the films of independent women filmmakers.

From the Back Cover: "This definitive reader-anthology is distinguished by the reputation of its contributors and the intelligence and relevance of their essays."--Dana Polan, author "of Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950"

"About this title" may belong to another edition of this title.

Bibliographic Details

Title: The New American Cinema
Publisher: Duke University Press
Publication Date: 1998
Binding: Paperback
Condition: Fair
Dust Jacket Condition: No Jacket