Synopsis:
Athanasius Kircher (160280) was acknowledged to be the most learned man of his age. By profession a Jesuit priest, he made himself an authority on every subject under (and above) the sun and published the results of his researches in over thirty lavishly illustrated volumes in Latin. His museum in Rome was famous and visited by everybody in the world of learning. Inevitably, his work has been superseded in most areas of study, but he remains a key figure in the history of ideas and in recent years there has been a revival of interest, in which Joscelyn Godwin has played a leading role. But while every other aspect of his thought has been studied, the fascinating engravings with which he illustrated his ideas have been largely ignored. This book fills that gap. It is divided into 15 chapters grouped by the engravings subject; these illustrations reveal his singular mind and the way he was drawn to mysticism and magic.
From the Inside Flap:
HERMETIC STUDIES / ALCHEMY
Linguist, archaeologist, and exceptional scholar, Athanasius Kircher (1602-1680) was the last true Renaissance man. By profession a Jesuit priest, he made himself an authority on almost every subject under the sun. To Kircher the entire world was a glorious manifestation of God, and his exploration was both a scientific quest and a religious experience. His works on Egyptology (he is credited with being the first Egyptologist), music, optics, magnetism, geology, and comparative religion were the definitive tests of their time--and yet they represent only a part of his vast range of knowledge. A Christian Hermeticist in the mold of Marsilio Ficino and Pico della Mirandola, his work also examined alchemy, the Kabbalah, and the Egyptian Mystery tradition exemplified by Hermes Trismegistus. Kircher was the first to map ocean currents; the first to offer a comprehensive theory of vulcanism; the first to compile an encyclopedia on China, a dictionary of Coptic, a book dedicated solely to acoustics; the first to construct a machine for coding messages and another for composing music. His museum in Rome was among the most famous "cabinets of curiosities," visited by everybody in the intellectual world.
The Hermetic cast of Kircher's thought, which was foreign to the concerns of those propelling the Age of Reason, coupled with the breadth of his interests, caused many of his contributions to be widely overlooked--an oversight now masterfully rectified by Joscelyn Godwin. It has been said that Kircher could think only in images. While this is an exaggeration, 400 of the stunning engravings that are a distinguishing feature of his work are included here so we may fully appreciate, learn from, and see for ourselves the life work, philosophy, and achievements of "the last man who knew everything."
JOSCELYN GODWIN, musicologist and translator, is a professor of music at Colgate University. He first explored the life and work of Athanasius Kircher in 1979 in his book A Renaissance Man and the Quest for Lost Knowledge. Godwin was educated at Cambridge and Cornell Universities and has authored and edited many books on Hermeticism and music, including Cosmic Music, The Golden Thread, The Harmony of the Spheres, and Arktos: The Polar Myth. He is also known for his translations of the works of such figures as Fabre d'Olivet and Julius Evola and the first complete English translation of Francesco Colonna's Hypnerotomachia Poliphili. He lives in New York state.
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