We're sorry; this book is no longer available. Continue Shopping.

The New American Cinema

Published by Duke University Press Books, 1998
ISBN 10: 0822321157 / ISBN 13: 9780822321156
Used / Soft cover / Quantity: 0
From Irish Booksellers (Portland, ME, U.S.A.)
Available From More Booksellers
View all  copies of this book

About the Book

Description:

SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. Seller Inventory # 19-0822321157-G

About this title:

Synopsis: This collection of essays provides the first comprehensive survey of Hollywood and independent films from the mid-sixties to the present. Deliberately eclectic and panoramic, The New American Cinema brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on this rich and pivotal era in American cinema.
The essays are divided into three sections: "Movies and Money," "Cinema and Culture," and "Independents and Independence." The first section focuses on the economics of the industry and analyzes the connection between the film business and the finished product. Topics include a look at the economic conditions that made the seventies’ auteur renaissance possible, the distribution of studio and independent films, and the recent spate of mergers and acquisitions that have come to characterize the new Hollywood. The second part of The New American Cinema deals with the political and cultural significance of war and Vietnam films (Platoon, Apocalypse Now, Born on the Fourth of July); "male rampage" films (Rambo, Lethal Weapon, Die Hard); women’s psychothrillers (The Silence of the Lambs); special effects pictures (2001: A Space Odyssey, Star Wars); and historical re-presentations (Oliver Stone’s JFK). The final section casts a keen eye on films produced and exhibited outside the commercial mainstream, examining the financial realities of "indie" films; the influence of independent filmmaker John Cassavetes on Coppola, Altman, and Scorsese; the stereotyping of African Americans in mainstream cinema; and the films of independent women filmmakers.

From the Back Cover: "This definitive reader-anthology is distinguished by the reputation of its contributors and the intelligence and relevance of their essays."--Dana Polan, author "of Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950"

"About this title" may belong to another edition of this title.

Bibliographic Details

Title: The New American Cinema
Publisher: Duke University Press Books
Publication Date: 1998
Binding: Soft cover
Condition: Good
Book Type: book