Thomas Eakins by Elizabeth Johns - 1991-02-01

Princeton University Press. Used - Like New. Used book that is in almost brand-new condition.

Princeton University Press, 1991. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Princeton University Press, 1991. Paperback. Acceptable. Disclaimer:Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Princeton University Press. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp.

Princeton University Press, 1991. Soft Cover. Very Good. Tight, clean.

Princeton, NJ: Princeton University Press, 1983. Paperback. Good/N/A. 3rd printing. GOOD. Wrappers creased, handled, bumped at edges and corners; faint stains to page edges; corners bumped, with lower corners of first few pages creased. xx, 207 pp., 16 color plates, 124 figs. Size: 8vo

Princeton, NJ: Princeton University Press, 1991. xx, 207 pages, [91] pages of plates, illustrations (some colour); 27 cm. Firm binding, clean inside copy. Rubbed corners, age toning. "Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question." - Publisher.. Paperback. Very Good. 4to.

Princeton University Press, 1991. Trade paperback. Very Good. Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question. Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artists. Thomas Eakins' scenes of rowing, sailing, and boxing as well as his deeply moving portraits are renowned for their vibrant realism and dramatic intensity. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth- and early-twentieth-century American art".

Princeton University Press. Near Fine. 1991. Soft Cover. 0691002886 . Numerous illustrations in color and black and white. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 8vo; 232 pages .

Princeton University Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.