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Oxford Paperbacks. Paperback. Used; Good. Simply Brit – welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there’s something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. 04/30/1998 Oxford Paperbacks ISBN 0192842056 9780192842053 [GB]
Oxford Paperbacks, 04/30/Date: 1998. Paperback. Used; Very Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. 1998. Oxford Paperbacks ISBN 0192842056 9780192842053 [GB]
Oxford University Press, Incorporated. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [GB]
Oxford University Press, Incorporated. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [GB]
Oxford University Press, Incorporated, Date: 1998. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [US]
Oxford University Press, Incorporated, Date: 1998. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [US]
Oxford University Press, USA, Date: 1998. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. Oxford University Press, USA ISBN 0192842056 9780192842053 [US]
Oxford University Press, USA, Date: 1998. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. Oxford University Press, USA ISBN 0192842056 9780192842053 [US]
Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [US]
Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [US]
Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842056 9780192842053 [US]
Oxford University Press, Date: 1998-06-25. Paperback. Very Good. 9x0x6. ***please read*** name inside cover with light pencil - no marks on text - my shelf location ea-j-46* 1998. Oxford University Press ISBN 0192842056 9780192842053 [US]
Oxford University Press, USA. Very Good. Date: 1998. Paperback. 0192842056 . This book is in very good condition; no remainder marks. It does have some cover shelfwear and corner bumping. Inside pages are clean. ; Oxford History of Art; 0.79 x 9.37 x 6.54 Inches; 304 pages . 1998. Oxford University Press, USA ISBN 0192842056 9780192842053 [US]
Oxford and New York: Oxford University Press, Date: 1998. 299 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. In Sculpture Since 1945, Andrew Causey provides a ground-breaking account of the development of post-War sculpture. In over 130 beautiful illustrations, Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He also explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth art, landscape sculpture, installation, and performance art. A final chapter brings the discussion of sculpture right up to the present day by examining sculpture since 1980. The holistic picture of post-War sculpture which emerges in Sculpture Since 1945 establishes for the first time key events and themes around which future debate will center. / Andrew Causey is Professor and Head of the History of Art Department at Manchester University, and a Trustee of the Henry Moore Sculpture Trust and Henry Moore Foundation." - Publisher.. 1st. Paperback. Fine. 8vo. 1998. Oxford University Press ISBN 0192842056 9780192842053 [US]
Oxford University Press, Date: 1998-06-25. Paperback. Like New. 10x8x0. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. 1998. Oxford University Press ISBN 0192842056 9780192842053 [US]
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press] Softcover New copy - Usually dispatched within 4 working days. In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performance Art and other forms, presenting a holistic picture of post-war sculpture which will stimulate future debate. [Southport, United Kingdom] [Publication Year: 1998]
Paperback / softback. New. In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performance Art and other forms, presenting a holistic picture of post-war sculpture which will stimulate future debate. ISBN 0192842056 9780192842053 [GB]
Causey Andrew Head of Department of Art Head of Department of Art Manchester University
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performanc ISBN 0192842056 9780192842053 [GB]
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press Apr 1998] Softcover Neuware - Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationalityand politics have been brought in to the arena of public discussion.In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth Art, landscape sculpture, installation, and Performance Art. The holisticpicture of post-War sculpture which emerges establishes for the first time the key events and themes round which future debate will centre.From the pre-publication reviews:Andrew Causey weaves his way adroitly through the labyrinth of post-War sculpture . No one else has charted the territory so comprehensively |s Professor Stephen Bann, University of Kent at Canterburystimulating and persuasive . balances a searching analysis of the impact of institutional change, issues of sites and environment, and key critical debates with revealing ...
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press] Softcover First Edition 1998. 1st Edition. Paperback. In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performance Art and other forms, presenting a holistic picture of post-war sculpture which will stimulate future debate. Series: Oxford History of Art. Num Pages: 304 pages, colour and black and white halftones throughout. BIC Classification: 3JJP; ACX; AFKB; JFC. Category: (G) General (US: Trade). Dimension: 238 x 161 x 19. Weight in Grams: 728. . . . . . [Galway, GY, Ireland] [Publication Year: 1998]
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press, Oxford] Softcover Paperback. Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationalityand politics have been brought in to the arena of public discussion. In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovativeand avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He explores the use of everyday objects and the importance ofsculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth Art, landscape sculpture, installation, and Performance Art. The holistic picture of post-War sculpture which emerges establishes for the first time the key events and themes round which future debate will centre. From the pre-publication reviews: Andrew Causey weaves his way adroitly through the labyrinth of post-War sculpture . No one else hascharted the territory so comprehensively |s Professor Stephen Bann, University of Kent at Canterbury stimulating and persuasive . balances a searching analysis of the impact ofinstitutional change, issues of sites and environment, and key critical debates with revealing ...
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press Apr 1998] Softcover Neuware - Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationalityand politics have been brought in to the arena of public discussion.In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth Art, landscape sculpture, installation, and Performance Art. The holisticpicture of post-War sculpture which emerges establishes for the first time the key events and themes round which future debate will centre.From the pre-publication reviews:Andrew Causey weaves his way adroitly through the labyrinth of post-War sculpture . No one else has charted the territory so comprehensively |s Professor Stephen Bann, University of Kent at Canterburystimulating and persuasive . balances a searching analysis of the impact of institutional change, issues of sites and environment, and key critical debates with revealing ...
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press] Softcover 1998. 1st Edition. Paperback. In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performance Art and other forms, presenting a holistic picture of post-war sculpture which will stimulate future debate. Series: Oxford History of Art. Num Pages: 304 pages, colour and black and white halftones throughout. BIC Classification: 3JJP; ACX; AFKB; JFC. Category: (G) General (US: Trade). Dimension: 238 x 161 x 19. Weight in Grams: 728. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1998]
Oxford University Press 1998 Paperback New 1998. 1st Edition. Paperback. In the OXFORD HISTORY OF ART series, a look at innovative and avant-garde sculpture in relation to contemporary events, festivals, commissions and the changing functions of museums. Explores Anti-form, minimalism, Earth Art, Performance Art and other forms, presenting a holistic picture of post-war sculpture which will stimulate future debate. Series: Oxford History of Art. Num Pages: 304 pages, colour and black and white halftones throughout. BIC Classification: 3JJP; ACX; AFKB; JFC. Category: (G) General (US: Trade). Dimension: 238 x 161 x 19. Weight in Grams: 728......We ship daily from our Bookshop.
ISBN10: 0192842056, ISBN13: 9780192842053, [publisher: Oxford University Press OUP] Softcover pp. 288 Index [New York, NY, U.S.A.] [Publication Year: 1998]
Oxford University Press, Date: 1998-06-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1998. Oxford University Press ISBN 0192842056 9780192842053 [US]
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