Paperback. Very Good. ISBN 0198742339 9780198742333 [GB]

Oxford University Press, Incorporated. Used - Good. Ships from the UK. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0198742339 9780198742333 [GB]

Oxford University Press, Incorporated. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0198742339 9780198742333 [US]

Oxford: Clarendon Press, Date: 2000. Paperback in very good condition. Covers are lightly worn. Pages are clean and text is clear throughout. HCW. Paperback. Very Good. Used. 2000. Clarendon Press ISBN 0198742339 9780198742333 [GB]

Clarendon Press, Date: 2000-04-27. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2000. Clarendon Press ISBN 0198742339 9780198742333 [US]

Paperback / softback. New. This book challenges the idea that early television drama consisted of static plays relayed from the theatre. It draws on new archival evidence, including an analysis of the groundbreaking BBC production of Nineteen Eighty-Four (1954). The book demonstrates that television drama pioneers produced a diverse and innovative range of plays. ISBN 0198742339 9780198742333 [GB]

ISBN10: 0198742339, ISBN13: 9780198742333, [publisher: OUP Oxford] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores the formative period of British television drama, concentrating on the years 1936-55. It examines the continuities and changes of early television drama, and the impact this had upon the subsequent 'golden age'. In particular, it questions the caricature of early television drama as 'photographed stage plays' and argues that early television pioneers in fact produced a diverse range of innovative drama productions, using a wide range of techniques.
[Einbeck, Germany] [Publication Year: 2000]
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