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OUP Oxford, 25/04/2002 00:00:01. paperback. Good. 1.8986 in x 23.6820 in x 16.6873 in. Ex-library book, usual marking. Clean copy in good condition. Date: 2000. OUP Oxford ISBN 0192842439 9780192842435 [GB]
Oxford University Press, Incorporated. Used - Good. Ships from the UK. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842439 9780192842435 [GB]
Oxford University Press, USA, July Date: 2002. Trade Paperback. Good+. used trade paperback edition. lightly shelfworn, corners a bit bumped, some creasing/scuffing/wear to covers. binding is straight and tight with no marks to text or other serious flaws. 2002. Oxford University Press, USA ISBN 0192842439 9780192842435 [US]
Oxford University Press, Incorporated. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0192842439 9780192842435 [US]
Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0192842439 9780192842435 [US]
Oxford University Press, Incorporated, Date: 2002. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2002. Oxford University Press, Incorporated ISBN 0192842439 9780192842435 [US]
Oxford : Oxford University Press , Date: 2002. First Edition. Softcover. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 272 p. : ill. (some col.), col. maps, ports. ; 24 cm. Subjects: Sculpture, Medieval. Art, Medieval. Genre: History. Language: English. 2002. Oxford : Oxford University Press ISBN 0192842439 9780192842435 [IE]
Oxford University Press, Date: 2002. Trade paperback. As new. Oxford University Press, c2002. 272pp., index, color, black and white illustrations throughout. 8vo. Uncreased spine, as new unread paperback. 2002. Oxford University Press ISBN 0192842439 9780192842435 [US]
Paperback / softback. New. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. ISBN 0192842439 9780192842435 [GB]
Nees Lawrence Professor Department of Art History University of Delaware
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and ISBN 0192842439 9780192842435 [GB]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press] Softcover New copy - Usually dispatched within 4 working days. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. [Southport, United Kingdom] [Publication Year: 2002]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press Apr 2002] Softcover Neuware - In the first millennium, a rich and distinctive artistic tradition emerged in Europe. Early Medieval Art explores this tradition and tracks its development from c. 300 AD through c. 1000 AD, revealing forms of artistic expression ranging from brilliant illuminated manuscripts to decorativechairs, rich embroidery, and precious metalwork. Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. Instead of treating early Christian art in the late Roman tradition and the arts of the newly established kingdoms of northernEurope as opposites, he adopts a more holistic view, treating them as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe. Moreover, it restores a previouslymarginalized subject to a central status in our artistic and cultural heritage. [Einbeck, Germany] [Publication Year: 2002]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press Apr 2002] Softcover Neuware - In the first millennium, a rich and distinctive artistic tradition emerged in Europe. Early Medieval Art explores this tradition and tracks its development from c. 300 AD through c. 1000 AD, revealing forms of artistic expression ranging from brilliant illuminated manuscripts to decorativechairs, rich embroidery, and precious metalwork. Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. Instead of treating early Christian art in the late Roman tradition and the arts of the newly established kingdoms of northernEurope as opposites, he adopts a more holistic view, treating them as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe. Moreover, it restores a previouslymarginalized subject to a central status in our artistic and cultural heritage. [Einbeck, Germany] [Publication Year: 2002]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press] Softcover 2002. 1st Edition. Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. Series: Oxford History of Art. Num Pages: 272 pages, numerous colour and halftones. BIC Classification: 1D; ACK. Category: (G) General (US: Trade). Dimension: 238 x 168 x 18. Weight in Grams: 666. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2002]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press] Softcover First Edition 2002. 1st Edition. Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. Series: Oxford History of Art. Num Pages: 272 pages, numerous colour and halftones. BIC Classification: 1D; ACK. Category: (G) General (US: Trade). Dimension: 238 x 168 x 18. Weight in Grams: 666. . . . . . [Galway, GY, Ireland] [Publication Year: 2002]
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press, Oxford] Softcover Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals.Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles ofartistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of alarger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. Exploring issues of artist patronage, luxury craftsmanship, holy men and women, the decorated word, monasteries, secular courts, and the roles of artistic creation, Lawrence Nees presents early Christian art within the late Roman tradition and the arts of the kingdoms of northern Europe as different aspects of a larger historical situation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. ...
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press, Oxford] Softcover Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals.Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles ofartistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of alarger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. Exploring issues of artist patronage, luxury craftsmanship, holy men and women, the decorated word, monasteries, secular courts, and the roles of artistic creation, Lawrence Nees presents early Christian art within the late Roman tradition and the arts of the kingdoms of northern Europe as different aspects of a larger historical situation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. [Wilmington, DE, ...
ISBN10: 0192842439, ISBN13: 9780192842435, [publisher: Oxford University Press, Oxford] Softcover Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals.Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles ofartistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of alarger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. Exploring issues of artist patronage, luxury craftsmanship, holy men and women, the decorated word, monasteries, secular courts, and the roles of artistic creation, Lawrence Nees presents early Christian art within the late Roman tradition and the arts of the kingdoms of northern Europe as different aspects of a larger historical situation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. ...
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