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Paperback. New. Book Condition: New Paperback Eastern Economy Edition textbook with identical content as the US version. Shipped Same Day. We do not ship APO and FPO. Will be dispatched fast. Please send me an email if you have any questions. 100% Satisfaction. ISBN 0198791747 9780198791744 [IN]
Naremore James Emeritus Chancellors' Professor Indiana University
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Ria Christie Collections /Biblio
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; James Naremore introduces film noir, highlighting key themes, films, and styles, and exploring why the genre is so difficult to categorize. First associated with Hollywood thrillers of the 1940s and 50s, film noir has become fully inter ISBN 0198791747 9780198791744 [GB]
Paperback / softback. New. James Naremore introduces film noir, highlighting key themes, films, and styles, and exploring why the genre is so difficult to categorize. First associated with Hollywood thrillers of the 1940s and 50s, film noir has become fully international in its nature and appeal, attracting the interest of great directors right up to our present time. ISBN 0198791747 9780198791744 [GB]
Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0198791747 9780198791744 [US]
Oxford University Press, Date: 2019-04-28. Paperback. New. 6x4x0. Softcover. Good binding and cover. Clean, unmarked pages. Oxford University Press ISBN 0198791747 9780198791744 [US]
James Naremore (Emeritus Chancellors' Professor, Indiana University)
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10.68
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WorldofBooks /AbebooksUK
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ISBN10: 0198791747, ISBN13: 9780198791744, [publisher: Oxford University Press, United Kingdom, Oxford] Softcover Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to ...
James Naremore (Emeritus Chancellors' Professor, Indiana University)
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USD
10.01
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WorldofBooks /ZVAB
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ISBN10: 0198791747, ISBN13: 9780198791744, [publisher: Oxford University Press, United Kingdom, Oxford] Softcover Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to ...
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