Paperback. Very Good. ISBN 0486212661 9780486212661 [GB]

Dover Publications, Date: 1964. Paperback. Very Good. 9x6x1. Later printing. Text and images unmarked. The wrapper shows some light handling and edgewear. 8vo. 333pp. Dover Publications ISBN 0486212661 9780486212661 [US]

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Dover Publications. CLEAN Fine paperback. . Fine. Paperback. Date: 1964. Dover Publications ISBN 0486212661 9780486212661 [US]

Dover Publications, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Dover Publications, Incorporated ISBN 0486212661 9780486212661 [US]

Dover Publications, Date: 1964-06-01. Paperback. New. Dover Publications ISBN 0486212661 9780486212661 [US]

Dover Publications, Date: 6/1/1964. Paperback. Good. Paperback book in good condition. Dover Publications ISBN 0486212661 9780486212661 [US]

ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Publications, Incorporated] Softcover pp. 489
[New York, NY, U.S.A.] [Publication Year: 1964]

UsedVeryGood. Minor shelf wear ISBN 0486212661 9780486212661 [US]

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Dover Pubns. New. Special order direct from the distributor Dover Pubns ISBN 0486212661 9780486212661 [CA]

Dover Pubns, Date: 1964. Paperback. New. new edition. 489 pages. 9.25x6.75x1.00 inches. Dover Pubns ISBN 0486212661 9780486212661 [GB]

ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Publications Jun 1964] Softcover Neuware - 'To orchestrate is to create, and this cannot be taught,' wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in ...
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ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Pubns] Softcover new edition. 489 pages. 9.25x6.75x1.00 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1964]

Dover Publications, Date: 1964-06-01. Paperback. Like New. Dover Publications ISBN 0486212661 9780486212661 [US]

ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Publications Inc., New York] Softcover Paperback. "To orchestrate is to create, and this cannot be taught," wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony ...

Dover Publications 6/1/1964 12: 00: 00 AM New edition Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

Dover Publications 6/1/1964 12: 00: 00 AM New edition Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Publications Inc., New York] Softcover Paperback. "To orchestrate is to create, and this cannot be taught," wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony ...

ISBN10: 0486212661, ISBN13: 9780486212661, [publisher: Dover Publications Inc., New York] Softcover Paperback. "To orchestrate is to create, and this cannot be taught," wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony ...