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Painter, Karen (Editor), and Crow, Thomas (Editor)
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USD
8.37
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HPB-Red via Alibris /Alibris
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Getty Research Institute 2006 Paperback Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Painter, Karen; Crow, Thomas
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USD
20.00
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Smith Family Bookstore Downtown /Abebooks
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ISBN10: 0892368136, ISBN13: 9780892368136, [publisher: Getty, Los Angeles, CA] Softcover text clean and unmarked. binding tight. covers have light wear. edges of pages have light wear.
[Eugene, OR, U.S.A.] [Publication Year: 2006]
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Painter, Karen (Editor), and Crow, Thomas (Editor)
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USD
42.10
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Bonita via Alibris /Alibris
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Getty Research Institute 2006 paperback Good Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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Painter, Karen (EDT); Crow, Thomas E. (EDT)
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USD
42.25
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GreatBookPrices /Abebooks
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ISBN10: 0892368136, ISBN13: 9780892368136, [publisher: Getty Research Institute] Softcover
[Columbia, MD, U.S.A.] [Publication Year: 2006]
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Painter Karen Editor/ Crow Thomas E. Editor
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USD
45.87
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Revaluation Books /Biblio
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J Paul Getty Museum Pubns, Date: 2006. Paperback. New. new title edition. 264 pages. 9.50x6.75x0.75 inches. 2006. J Paul Getty Museum Pubns ISBN 0892368136 9780892368136 [GB]
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Painter, Karen (Editor)/ Crow, Thomas E. (Editor)
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USD
46.71
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Revaluation Books /AbebooksUK
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ISBN10: 0892368136, ISBN13: 9780892368136, [publisher: J Paul Getty Museum Pubns] Softcover new title edition. 264 pages. 9.50x6.75x0.75 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 2006]
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Painter, Karen (EDT); Crow, Thomas E. (EDT)
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USD
47.45
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GreatBookPricesUK /AbebooksUK
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ISBN10: 0892368136, ISBN13: 9780892368136, [publisher: Getty Research Institute] Softcover
[Castle Donington, DERBY, United Kingdom] [Publication Year: 2006]
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Painter, Karen (Editor), and Crow, Thomas (Editor)
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USD
56.56
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Booksplease via Alibris /Alibris
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Los Angeles, CA Getty Research Institute 2006 Trade paperback New. Trade paperback (US). Sewn binding. 264 p. Contains: Illustrations. Issues & Debates.
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Painter, Karen (Editor)/ Crow, Thomas E. (Editor)
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USD
56.91
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Revaluation Books via Alibris /Alibris
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J Paul Getty Museum Pubns 2006 Softcover New title edition. 264 pages. 9.50x6.75x0.75 inches.
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Painter, Karen [Editor]; Crow, Thomas [Editor];
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USD
104.04
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GridFreed via Alibris /Alibris
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Getty Research Institute 2006 Paperback New Size: 9x7x0; New. In shrink wrap. Looks like an interesting title!
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Painter Karen Editor; Crow Thomas Editor;
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USD
109.24
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GridFreed LLC /Biblio
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Getty Research Institute. Paperback. New. New. In shrink wrap. Looks like an interesting title! Getty Research Institute ISBN 0892368136 9780892368136 [US]
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Painter, Karen (Editor), and Crow, Thomas (Editor)
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USD
116.37
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Bonita via Alibris /Alibris
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Getty Research Institute 2006 paperback New
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Painter Karen; Thomas Crow
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USD
2470.00
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AB Books /Biblio
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Museum Publications. New. Date: 2006. Paperback. 0892368136 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, like new, pristine, never opened -- 256 pages; 19 color and 66 b/w illustrations. Description: "Today the West chronically associates artistic maturity with transcendence, degeneration, or irrelevance. This volume looks to the nonrepresentational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy J. Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Shiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss's unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin. Complementing these eight retrospective essays is Ernest Fleischmann's ...
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