Paperback. Very Good. ISBN 0195182707 9780195182705 [GB]

Oxford University Press, November Date: 2007. Trade Paperback. VG-. used mass market paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. previous seller's stickers still attached. 2007. Oxford University Press ISBN 0195182707 9780195182705 [US]

Oxford University Press, Incorporated. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Oxford University Press, Incorporated ISBN 0195182707 9780195182705 [GB]

Oxford University Press, Incorporated, Date: 2007. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. Oxford University Press, Incorporated ISBN 0195182707 9780195182705 [US]

Oxford University Press, Incorporated, Date: 2007. Paperback. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. Oxford University Press, Incorporated ISBN 0195182707 9780195182705 [US]

UsedGood. Mass market paperback in GOOD condition with normal wear from use. Cover art my differ from that in photo. ISBN 0195182707 9780195182705 [US]

Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0195182707 9780195182705 [US]

New. Spend Less, Read More. ISBN 0195182707 9780195182705 [US]

OXFORD UNIVERSITY PRESS, Date: 2007-11-28. First Edition. paperback. Used: Good. 2007. OXFORD UNIVERSITY PRESS ISBN 0195182707 9780195182705 [US]

ISBN10: 0195182707, ISBN13: 9780195182705, [publisher: Oxford University Press Inc Jan 2008] Softcover Neuware - Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history andcharts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.Beginning with an overview of the central issues of documentary filmmaking-its definitions and purposes, its forms and founders-Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to makeconnections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary ...
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Came ISBN 0195182707 9780195182705 [GB]

Oxford University Press. New. Special order direct from the distributor Oxford University Press ISBN 0195182707 9780195182705 [CA]

Oxford Univ Pr, Date: 2007. Paperback. New. 158 pages. 6.75x4.25x0.50 inches. 2007. Oxford Univ Pr ISBN 0195182707 9780195182705 [GB]

UsedVeryGood. signs of little wear on the cover. ISBN 0195182707 9780195182705 [US]

ISBN10: 0195182707, ISBN13: 9780195182705, [publisher: Oxford University Press Inc, New York] Softcover Paperback. Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history andcharts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.Beginning with an overview of the central issues of documentaryfilmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoingnature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect ofdocumentary ...
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UsedLikeNew. Remainder mark ISBN 0195182707 9780195182705 [US]

New. . ISBN 0195182707 9780195182705 [US]

New. . ISBN 0195182707 9780195182705 [US]

ISBN10: 0195182707, ISBN13: 9780195182705, [publisher: Oxford University Press Inc, New York] Softcover Paperback. Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history andcharts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.Beginning with an overview of the central issues of documentaryfilmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoingnature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect ofdocumentary ...
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Oxford, England: Oxford University Press, USA, Date: 2007. First edition. First printing [stated]. Trade paperback. Good. Signed by author. Inscribed to Adrian with Adrian Spencer business card (AFI) laid in. A few page corners creases and crinkled.. Trade paperback (US). Glued binding. xi, [1], 158, [6] p. Illustrations, black & white. Further Reading and Viewing. Index. Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking-its definitions and purposes, its forms and founders-Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between ...