Manchester University Press, Date: 1997-06-15. Paperback. Good. 0.9449 in x 8.4252 in x 5.9055 in. ARRIVES IN 2-4 BUSINESS DAYS if you choose Expedited Shipping! May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. 1997. Manchester University Press ISBN 0719046181 9780719046186 [US]

Manchester University Press. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Manchester University Press ISBN 0719046181 9780719046186 [US]

Manchester University Press. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Manchester University Press ISBN 0719046181 9780719046186 [GB]

Manchester University Press, Date: 1997-06-15. Paperback. Good. 1997. Manchester University Press ISBN 0719046181 9780719046186 [US]

ISBN10: 0719046181, ISBN13: 9780719046186, [publisher: Manchester University Press] Softcover New copy - Usually dispatched within 4 working days. What role does the craftsman play on the professional life of the designer? Is the craft of design threatened with deskilling by technology? These are among the questions discussed in this collection of essays about the relevance and place of handcraft in the late 20th century.
[Southport, United Kingdom] [Publication Year: 1997]

ISBN10: 0719046181, ISBN13: 9780719046186, [publisher: Manchester University Press] Softcover pp. 240
[New York, NY, U.S.A.] [Publication Year: 1997]

Manchester University Press, Date: 1997-06-15. Paperback. Used:Good. 1997. Manchester University Press ISBN 0719046181 9780719046186 [US]

Manchester University Press, Date: 1997. Soft cover. Near Fine. As New Paperback Apart Frrom Name On Inside Reaer Wrappers. Slipped In Is A Hand-Written Letter By The Author Dated 1993 And A Four-Page Typescript Of His Lecture Titled @The Disticntion Between Craft And Design'. 1997. Manchester University Press ISBN 0719046181 9780719046186 [GB]

ISBN10: 0719046181, ISBN13: 9780719046186, [publisher: Manchester University Press] Softcover What role does the craftsman play on the professional life of the designer? Is the craft of design threatened with deskilling by technology? These are among the questions discussed in this collection of essays about the relevance and place of handcraft in the late 20th century. Series: Studies in Design. Num Pages: 240 pages, 100 illustrations. BIC Classification: AFT; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 209 x 149 x 18. Weight in Grams: 346. . 1997. Paperback. . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 1997]

Manchester Univ Pr, Date: 1997. Paperback. New. illustrated edition. 224 pages. 8.25x6.00x0.75 inches. 1997. Manchester Univ Pr ISBN 0719046181 9780719046186 [GB]

ISBN10: 0719046181, ISBN13: 9780719046186, [publisher: Manchester University Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - Peter Dormer presents a series of lively, clearly argued discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. One of the key questions discussed in the book is what makes the difference between a craft and a modern technology.
[Einbeck, Germany] [Publication Year: 1997]
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ISBN10: 0719046181, ISBN13: 9780719046186, [publisher: Manchester University Press, Manchester] Softcover Paperback. Peter Dormer presents a series of lively, clearly argued discussions about the relevance of handcraft in a world whose aesthetics and design are largely determined by technology. Indeed, one of the key questions discussed in the book is what makes the difference between a craft and a modern technology. What role does the craftsperson play in the professional life of the designer? Is the craft of design itself threatened with deskilling by technology? And what are we to make of the emergence this century of that separate arts activity we call 'the studio crafts'. What are the cultural barriers that prevent the studio crafts from being regarded simply as either art of design? Most important of all, what are the values that encourage people to want to make things themselves despite the apparent marginality of crafts? These are among the questions discussed in this collection of essays written by distinguished writers who include T.A. Heslop, Slade Professor of Art, University of Cambridge; Dr Paul Greenhalgh, Head of Research at the Victoria and Albert Museum; and Rosemary Hill, writer and broadcaster and biographer of Pugin. Peter Dormer presents a series of discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. One of the key questions discussed in the book is what makes the ...