UsedAcceptable. Readable condition, all page intact, has wear, some writing or highlighting inside. ISBN 1400041848 9781400041848 [US]

Knopf Doubleday Publishing Group, Date: 2004. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2004. Knopf Doubleday Publishing Group ISBN 1400041848 9781400041848 [US]

Knopf Doubleday Publishing Group, Date: 2004. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2004. Knopf Doubleday Publishing Group ISBN 1400041848 9781400041848 [US]

Knopf. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Knopf ISBN 1400041848 9781400041848 [US]

Knopf Doubleday Publishing Group. Used - Good. Used book that is in clean, average condition without any missing pages. Knopf Doubleday Publishing Group ISBN 1400041848 9781400041848 [US]

Knopf Doubleday Publishing Group. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Knopf Doubleday Publishing Group ISBN 1400041848 9781400041848 [US]

Knopf Doubleday Publishing Group. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Knopf Doubleday Publishing Group ISBN 1400041848 9781400041848 [US]

Knopf, Date: 2004-06-15. Hardcover. Like New. 5x1x7. Hardcover and dust jacket. Good binding and cover. Light wear. Clean, unmarked pages. 2004. Knopf ISBN 1400041848 9781400041848 [US]

Knopf, Date: 2004-06-15. Hardcover. Very Good/Very Good-. 5x1x7. Second printing stated. Binding tight and sturdy; text very good+. Prev owner's inscription. DJ is clipped with light shelfwear. NOT ex-lib. Ships from Dinkytown in Minneapolis, Minnesota. 2004. Knopf ISBN 1400041848 9781400041848 [US]

New York: Alfred A. Knopf. Fine in Near Fine dust jacket. Date: 2004. First Edition. Hardcover. 1400041848 . Hardcover in dust jacket. First printing of first edition. Book is crisp and clean, with tight binding and sharp corners. Unclipped dust jacket is fresh and bright, with a touch of shelf-rubbing and soiling. Illustrated throughout. 8vo. 259 pp. In protective Mylar. . 2004. Alfred A. Knopf ISBN 1400041848 9781400041848 [US]

Knopf, Date: 2004. First Edition. Hardcover. Very Good/very good. Unmarked. Dust jacket (unclipped) under clear mylar cover. Notes. Illustrated with 31 drawings in the text. Shows drawing to be positively thriving, most passionately (and unexpectedly) in "drawing groups" that meet all over the country to sketch models and discuss technique. 262p. Measures 6x9 inches. 2004. Knopf ISBN 1400041848 9781400041848 [US]

New York: Alfred A. Knopf, Date: 2004. 1st. Hardcover. Near fine/near fine. Bound in the publisher's original quarter cloth and paper covered boards. 2004. Alfred A. Knopf ISBN 1400041848 9781400041848 [US]

Knopf, Date: 2004-06-15. First Edition. Hardcover. Used:Good. 2004. Knopf ISBN 1400041848 9781400041848 [US]

New York: Alfred A. Knopf. New. Date: 2004. Hardcover. 1400041848 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 259 pages, including 31 reproduced drawings, most by modern and contemporary artists but including reproductions of works by Da Vinci, Van Gogh and Eakins as well. Interior text is clean, tight, and unmarked. First edition so stated. Pages are intact and tight to the spine. From the publisher's description on the inside front flap: "We all draw as children: we scrawl a sunbeamed circle for a face and dots for eyes, and then we move on to portraits of Mom with an upside-down U for hair and Dad with trousers up to his armpits. But sooner or later, almost everyone stops. In this delightful, revelatory book, Peter Steinhart explores why some of us keep on drawing - and what happens when we do. Combining the scientific, the historical, the anecdotal and the personal with marvelous ease, Steinhart asks some provocative questions: Why do drawings often speak to us more eloquently than paintings? What is the mind doing when we draw? Why is so much drawing of the face and of the nude figure? What is the dynamic between a clothed artist and a naked model? Steinhart makes clear that, at its best, drawing is a spontaneous expression of what we see, an undressed art unencumbered by affectation or calculated fashion. And he reveals its many rewards: it helps us to focus, ...