Yale University Press, 11/10/Date: 2000 12:00:01. hardcover. Acceptable. 1.0000 in x 11.5591 in x 10.4213 in. Hardcover with good dust-jacket. Hinges cracking; no pages loose. Text clean and unmarked. A few small tears to edges of jacket. Ships from a smoke-free home. 2000. Yale University Press ISBN 0300084072 9780300084078 [US]

Yale University Press, Date: 2000-11-10. Hardcover. Used: Good. 2000. Yale University Press ISBN 0300084072 9780300084078 [US]

Hardback. Good. ISBN 0300084072 9780300084078 [GB]

Yale University Press, Date: 2000. 1st Edition . Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Illustrated dust-jacket, a little wear at spinehead but otherwise smooth clean and bright. Book bound in red cloth with gilt titles, contents unmarked, appears unused, as new. May incur additional postage charges outside Europe. 2000. Yale University Press ISBN 0300084072 9780300084078 [GB]

Collectibles - isbn: 0300084072 - isbn13: 9780300084078 Yale University Press

Cumberland, Rhode Island, U.S.A.: Yale University Press. New. Date: 2000. Hardcover. 0300084072 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 243 pp IMPORTANT: Interior text is clean, tight, and Unmarked Pages are intact and tight to the spine. -- "During a brief and ferociously violent ten-month period between 1870 and 1871, the last Napoleonic empire was destroyed, France was plunged into a hopeless war with Prussia, Paris was besieged, and the Paris Commune revolted and was suppressed by a new Republic. This engrossing book surveys the responses made by artists to these cataclysmic events. John Milner investigates not only what the war and the Commune meant to the artists concerned but also how artists defined the character and nature of events and presented them to the public, thereby influencing their reception, interpretation, and impact. Milner explains the evolving positions of artists during that year. Under Napoleon III, artists received major commissions from patrons and were centrally involved in the image of empire. In wartime, artists called up for duty recorded the horrors of war and became politicized, some loyal to the emperor, others violently against. When the war was over, the uprising of the Paris Commune set the French against themselves. Some artists--in particular Gustave Courbet--declared themselves Communards and rejected the government, ...