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Richard Koszarski
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144.91
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Blackwell's /ZVAB
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ISBN10: 0231200986, ISBN13: 9780231200981, [publisher: Columbia University Press 2022-02-01, New York] Hardcover Language: ENG
[London, United Kingdom] [Publication Year: 2022]
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Richard Koszarski
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USD
156.07
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Blackwell's /AbebooksUK
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ISBN10: 0231200986, ISBN13: 9780231200981, [publisher: Columbia University Press 2022-02-01, New York] Hardcover Language: ENG
[London, United Kingdom] [Publication Year: 2022]
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Richard Koszarski
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159.70
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Blackwell's via Alibris /Alibris
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New York Columbia University Press 2021 Hard cover New in new dust jacket.
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Richard Koszarski
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216.69
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CitiRetail /AbebooksUK
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ISBN10: 0231200986, ISBN13: 9780231200981, [publisher: Columbia University Press, New York] Hardcover Hardcover. The year 1955 was a watershed one for New York's film industry: Elia Kazan's On the Waterfront took home eight Oscars, and, more quietly, Stanley Kubrick released the low-budget classic Killer's Kiss. A wave of films that changed how American movies were made soon followed, led by directors such as Sidney Lumet, William Friedkin, Francis Ford Coppola, and Martin Scorsese. Yet this resurgence could not have occurred without a deeply rooted tradition of local film production.Richard Koszarski chronicles the compelling and often surprising origins of New York's postwar film renaissance, looking beyond such classics as Naked City, Kiss of Death, and Portrait of Jennie. He examines the social, cultural, and economic forces that shaped New York filmmaking, from city politics to union regulations, and shows how decades of low-budget independent production taught local filmmakers how to capture the city's grit, liveliness, and allure. He reveals the importance of "race films"-all-Black productions intended for segregated African American audiences-that not only helped keep the film business afloat but also nurtured a core group of writers, directors, designers, and technicians. Detailed production histories of On the Waterfront and Killer's Kiss-films that appear here in a completely new light-illustrate the distinctive ...
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Richard Koszarski
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USD
242.39
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AussieBookSeller /AbebooksAU
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ISBN10: 0231200986, ISBN13: 9780231200981, [publisher: Columbia University Press, New York] Hardcover Hardcover. The year 1955 was a watershed one for New York's film industry: Elia Kazan's On the Waterfront took home eight Oscars, and, more quietly, Stanley Kubrick released the low-budget classic Killer's Kiss. A wave of films that changed how American movies were made soon followed, led by directors such as Sidney Lumet, William Friedkin, Francis Ford Coppola, and Martin Scorsese. Yet this resurgence could not have occurred without a deeply rooted tradition of local film production.Richard Koszarski chronicles the compelling and often surprising origins of New York's postwar film renaissance, looking beyond such classics as Naked City, Kiss of Death, and Portrait of Jennie. He examines the social, cultural, and economic forces that shaped New York filmmaking, from city politics to union regulations, and shows how decades of low-budget independent production taught local filmmakers how to capture the city's grit, liveliness, and allure. He reveals the importance of "race films"-all-Black productions intended for segregated African American audiences-that not only helped keep the film business afloat but also nurtured a core group of writers, directors, designers, and technicians. Detailed production histories of On the Waterfront and Killer's Kiss-films that appear here in a completely new light-illustrate the distinctive ...
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