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ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Baltimore] Hardcover Hardcover. Biographies of the first African-American recording stars, and how they succeeded against tremendous odds. The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices.Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that ...
ISBN10: 0252028503, ISBN13: 9780252028502, [publisher: University of Illinois Press, Baltimore] Hardcover Hardcover. Biographies of the first African-American recording stars, and how they succeeded against tremendous odds. The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices.Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that ...
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