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Knopf Doubleday Publishing Group, Date: 1992. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1992. Knopf Doubleday Publishing Group ISBN 0394578899 9780394578897 [US]
ISBN10: 0394578899, ISBN13: 9780394578897, [publisher: Knopf (New York)] Hardcover First Edition First edition, first printing. Hardbound. Fine in a fine dust jacket. A tight, clean copy. Jacket unclipped with original publisher's price of $23.00 intact. Comes with archival-quality mylar dust jacket protector. Shipped in well padded box. [West Hartford, CT, U.S.A.] [Publication Year: 1992]
ISBN10: 0394578899, ISBN13: 9780394578897, [publisher: Alfred A. Knopf] Hardcover First Edition Stated first edition. No additional printings are listed. Unclipped, mylar protected dust jacket. Clean text, tight binding. No bumps or creases. The front, lower corner of the textblock has some damp stain. The DJ has no tears or chips, but does have a small area of soiling to the back. Not a remainder. [Gillette, WY, U.S.A.] [Publication Year: 1992]
ISBN10: 0394578899, ISBN13: 9780394578897, [publisher: Alfred A. Knopf] Hardcover First Edition Stated First Edition. Bright, clean & tight copy, unread, in FINE condition. "Unlike most Dylan books--which are either biographies like Clinton Heylin's Bob Dylan: Behind the Shades or lists of some sort--Riley here provides a critical examination of this thorniest of modern musicians. Riley goes beyond the obvious; for example, Woody Guthrie's influence on Dylan is well documented, but Riley examines not only how Guthrie inspired Dylan but what Dylan does differently from Guthrie and who else falls into his inspirational canon (Robert Johnson, Leadbelly, Hank Williams). Riley knows music, and his descriptions are marvelous, especially of the 1966-75 era (Blonde on Blonde, The Basement Tapes, Planet Waves, Blood on the Tracks, and the 1966 and 1974 tours). He also is thankfully unafraid to be disparaging; unlike Heylin, he has very little that is nice to say about Dylan's post-1975 work. Riley's flaws are mainly stylistic; he tends to repeat himself and has an unfortunate fondness for the word bromide. Still, this is an incisive work. Essential for most music collections."---Library Journal. Erstwhile remainder has red stripe on top-edge of text block & jacket shows slight shelfwear, o/w a fine copy w/sharp corners & crisp deckle edges, quite presentable. [Pittsfield, MA, U.S.A.] [Publication Year: 1992]
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