Art Inst of Chicago Museum Shop, Date: 2001-06-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 2001. Art Inst of Chicago Museum Shop ISBN 086559192X 9780865591929 [US]

Collectibles - isbn: 086559192X - isbn13: 9780865591929 Art Institute of Chicago

ISBN10: 086559192X, ISBN13: 9780865591929, [publisher: The Art Institute of Chicago. Chicago, IL.] Hardcover First Edition FIRST EDITION HARDBACK Book condition is Fine. Dust Jacket is Near Fine. Not Price Clipped. Profusely Illustrated with 108 stunning tritone B&W photographs. This book was published to accompany an exhibition at The Art Institute of Chicago and at the San Francisco Museum of Modern Art. Dust Jacket will be covered with an Acid Free Clear Archival cover. 11.25 x10.75 Inches in size. 144 numbered pages. Stated First Edition. Also First Printing.
[Petaluma, CA, U.S.A.] [Publication Year: 2001]
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Brand: Art Institute of Chicago, Date: 2001-06-15. First Edition. hardcover. Used: Good. 2001. Brand: Art Institute of Chicago ISBN 086559192X 9780865591929 [US]

Art Institute of Chicago, Date: 2001. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2001. Art Institute of Chicago ISBN 086559192X 9780865591929 [US]

Illinois: Art Institute of Chicago, Date: 2001. Hard cover. Very good in good dust jacket. Between 1938 and 1948, Edward Weston took the last photographs of his distinguished career. In 1938 he returned to scenic Carmel, California, after a twenty-five-thousand-mile, two-year journey through the American West... 144 p. Audience: College/higher education; General/trade; Professional and scholarly. Between 1938 and 1948, Edward Weston took the last photographs of his distinguished career. In 1938 he returned to scenic Carmel, California, after a twenty-five-thousand-mile, two-year journey through the American West on Guggenheim fellowships. He and his young wife, Charis, built a pine-wood home and studio overlooking the Pacific and only one mile from Point Lobos, the unspoiled headland that, over the years, had become the artist's favorite site for testing ideas and finding new approaches to advance his art. But in the decade following his return to Carmel, Weston photographed Point Lobos and the Big Sur with different eyes. Where he had previously focused on details and still lifes, he now found himself drawn to horizons, vistas, and moody atmospheres. Photographs of this late period reveal a greater psychological component than do the more formalist images that preceded them. Weston's work became both a release and receptacle, as he battled with Parkinson's disease, experienced a failing marriage, and saw his sons leave for military service during World War ...