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University Press of Mississippi 2007 Hardcover Good Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
University Press of Mississippi, Date: 2007. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. University Press of Mississippi ISBN 1578069602 9781578069606 [US]
University Press of Mississippi 2007 Hardcover HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
ISBN10: 1578069602, ISBN13: 9781578069606, [publisher: University Press of Mississippi] Hardcover Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. WynnThis unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands.The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations. [Houston, TX, U.S.A.] [Publication Year: 2007]
University Press of Mississippi, Date: 2007-07-25. Illustrated. hardcover. Used: Good. 2007. University Press of Mississippi ISBN 1578069602 9781578069606 [US]
University Press of Mississippi, Date: 2007. Hardcover. As New/As New. 8vo - over 7¾ - 9¾" tall. 2007. University Press of Mississippi ISBN 1578069602 9781578069606 [GB]
University Press of Mississippi, Date: 2007-07-24. Hardcover. New. 6x1x8. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. xii, 289 pages, illustrations, 23 cm. <br> This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. 2007. University Press of Mississippi ISBN 1578069602 9781578069606 [US]
University Press of Mississippi 2007-07-24 Hardcover New Size: 6x1x8; Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. xii, 289 pages, illustrations, 23 cm. This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands.
ISBN10: 1578069602, ISBN13: 9781578069606, [publisher: University Press of Mississippi] Hardcover Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. xii, 289 pages, illustrations, 23 cm. This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. [Boonsboro, MD, U.S.A.] [Publication Year: 2007]
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