HarperCollins Publishers. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. HarperCollins Publishers ISBN 0060185260 9780060185268 [US]

HarperCollins Publishers. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. HarperCollins Publishers ISBN 0060185260 9780060185268 [US]

new jersey: the ecco press, Date: 2001. 1st. hardcover. fine./fine; unclipped [$23.00]. 2001. the ecco press ISBN 0060185260 9780060185268 [US]

(New York): Ecco Press, Date: 2001. First printing. Fine in fine jacket.. Contemporary poet Stanley Plumly's copy of this Pulitzer- and Nobel-winning poet's ninth poetry collection - sent to him with birthday greetings from the publisher. 9'' x 6''. Original quarter black cloth with grey boards. In original unclipped ($23.00) dust jacket. 68 pages. Handwritten note on Ecco letterhead laid in. In part: "Stanley - Nice speaking with you today. Patty asked me to send this to you so...voilà." Trace edgewear. Else bright and sharp overall. 2001. Ecco Press ISBN 0060185260 US

(New York): Ecco Press, Date: 2001. First printing. Fine in fine jacket.. Contemporary poet Stanley Plumly's copy of this Pulitzer- and Nobel-winning poet's ninth poetry collection - sent to him with birthday greetings from the publisher. 9'' x 6''. Original quarter black cloth with grey boards. In original unclipped ($23.00) dust jacket. 68 pages. Handwritten note on Ecco letterhead laid in. In part: "Stanley - Nice speaking with you today. Patty asked me to send this to you so...voilà." Trace edgewear. Else bright and sharp overall. 2001. Ecco Press ISBN 0060185260 9780060185268 [US]

New York: Ecco / Harpercollins, Date: 2001. First printing. 8vo. 68 pp. Fine in Near Fine dust jacket. Slightest toning to extremities of jacket.. First Edition. Hardcover. Fine. 2001. Ecco / Harpercollins ISBN 0060185260 9780060185268 [US]

(New York): Ecco Press, Date: 2001. First printing. Fine in near fine jacket.. Signed first edition of the Pulitzer- and Nobel-winning poet's ninth poetry collection, a striking sequence of nature- and mythology-inflected verses. 9'' x 6''. Original quarter black cloth with grey boards. In original unclipped ($23.00) dust jacket. 68 pages. Signed by Glück on title page, crossing out her printed name. Some light marginal toning to jacket. Book clean and tight. 2001. Ecco Press ISBN 0060185260 US

(New York): The Ecco Press, Date: 2001. Hardcover. Fine/Fine. First edition. Fine in about fine dustwrapper with a touch of wear at the crown including tiny tear. Signed on the title page. 2001. The Ecco Press ISBN 0060185260 US

Hopewell, NJ: The Ecco Press, Date: 2001. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. Hopewell, NJ: The Ecco Press, 2001. Hardcover. Fine/Fine. First Edition/First Printing. 68 pages. Rare Louise Gluck collectible set. Pristine copies of "The Seven Ages" and "Solstice" Poem Broadside, both signed by Louise Gluck. "The Seven Ages": The author's ninth collection of poems. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. Presents Louise Gluck's "The Seven Ages". Her boldest poetic statement since "The Wild Iris" (1992). Brilliantly deploys the metaphors of Myth and Nature to describe - need one point it out - the irresoluble complexity of our human condition. "Investigates the disappointments, unfinished quests, and unanswered questions that compose, arrange, and ruin a life. Wise, densely crafted meditations" (Publishers Weekly). Just as C. P. Cavafy, the greatest Greek poet of the 20th century, found a way to fuse the mythical with the personal, so has Louise Gluck. As such, her greatest achievement is that she has found a permanent way out of the confessional mode - otherwise so irresistible - that most, not just some, contemporary American poets continue to wallow in, especially the "identity politics" kind ...