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ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. [Berlin, Germany] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. [Berlin, Germany] [Publication Year: 1986]
West Nyack, New York * * * * * : Cambridge Univ Pr, Date: 1999. Soft Cover. Fine. B00K: Fine/As New/, 1999 . B00K: Fine/As New/, Light Blue Spine With Title In Black Letters, Soft Cover B00K: Fine/As New/, Pages Are UnMarked, UnOpened, UnRead, Clean and Tight To the Spine. SYNOPSIS: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. $48.95. = = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = = World Wide Shipping, AVAILABLE. = = 1999. Cambridge Univ Pr ISBN 0521284775 9780521284776 [US]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge: CUP, 1994. *] Softcover 8vo 216 pages. Paperback, VG. A detailed study of the earliest opera in the modern repertoire. [London, United Kingdom] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge Univ Pr, West Nyack, New York * * * * *] Softcover B00K: Fine/As New/, Light Blue Spine With Title In Black Letters, Soft Cover B00K: Fine/As New/, Pages Are UnMarked, UnOpened, UnRead, Clean and Tight To the Spine. SYNOPSIS: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. $48.95. = = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = = World Wide Shipping, AVAILABLE. = = [North Hollywood, CA, U.S.A.] [Publication Year: 1999]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Series: Cambridge Opera Handbooks. 216p blue paperback, clean and tight copy, a hint bent only, no names or stamps, very good Language: English [Cambridge, United Kingdom] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge: CUP, 1994. *] Softcover 8vo 216 pages. Paperback, VG. A detailed study of the earliest opera in the modern repertoire. [London, United Kingdom] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Cambridge University Press trade paperback, 1991, unused and carefully stored, No marks/creases or other defects; Fine (like New). We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers. [New Hartford, CT, U.S.A.] [Publication Year: 1991]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Series: Cambridge Opera Handbooks. 216p blue paperback, clean and tight copy, a hint bent only, no names or stamps, very good Language: English [Cambridge, United Kingdom] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press, Cambridge] Softcover Octavo. Wrappers. 216 pp. From the collection of musicologist Stanley Boorman. [Syosset, NY, U.S.A.] [Publication Year: 1986]
Cambridge: Cambridge University Press, Date: 1986. Paperback. Very Good. Octavo. Wrappers. 216 pp. From the collection of musicologist Stanley Boorman. 1986. Cambridge University Press ISBN 0521284775 US
Cambridge: Cambridge University Press, Date: 1986. Paperback. Very Good. Octavo. Wrappers. 216 pp. From the collection of musicologist Stanley Boorman. 1986. Cambridge University Press ISBN 0521284775 9780521284776 [US]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press, Cambridge] Softcover Octavo. Wrappers. 216 pp. From the collection of musicologist Stanley Boorman. [Syosset, NY, U.S.A.] [Publication Year: 1986]
Cambridge University Press 1986-03-31 Paperback Very Good Size: 8vo-over 7¾"-9¾" tall; 1994 printing, tight unmarked and clean, absolutely NO age toning, no creases in spine, slight slant.
New York: Cambridge University Press, Date: 1986-03-31. Paperback. Very Good. 8vo - over 7¾" - 9¾" tall. 1994 printing, tight unmarked and clean, absolutely NO age toning, no creases in spine, slight slant. 1986. Cambridge University Press ISBN 0521284775 9780521284776 [US]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 1986]
Paperback / softback. New. This is a detailed study of the earliest opera to have gained a foothold in the modern repertoire. It includes historical sections on the creation and early performances of Orfeo and its rediscovery, and essays by a conductor and a producer who have staged notable performances of the opera in recent years. ISBN 0521284775 9780521284776 [GB]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover New! This book is in the same immaculate condition as when it was published [Tucson, AZ, U.S.A.] [Publication Year: 1986]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Special order direct from the distributor [Victoria, BC, Canada] [Publication Year: 1986]
Paperback / softback. New. This is a detailed study of the earliest opera to have gained a foothold in the modern repertoire. It includes historical sections on the creation and early performances of Orfeo and its rediscovery, and essays by a conductor and a producer who have staged notable performances of the opera in recent years. ISBN 0521284775 9780521284776 [GB]
Cambridge University Press, Date: 1986-03-31. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1986. Cambridge University Press ISBN 0521284775 9780521284776 [US]
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance.The book begins with a historical section, in which all the known evidence about the creation and early performances of 'Orfeo' is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today.The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of 'Orfeo.' The final section includes essays by a conductor and a producer who have ...
ISBN10: 0521284775, ISBN13: 9780521284776, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance.The book begins with a historical section, in which all the known evidence about the creation and early performances of 'Orfeo' is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today.The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of 'Orfeo.' The final section includes essays by a conductor and a producer who have ...
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