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ISBN10: 0691012342, ISBN13: 9780691012346, [publisher: Princeton University Press] Softcover May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers. [Castle Donington, DERBY, United Kingdom] [Publication Year: 1998]
Princeton University Press, Date: 1998-12-07. Paperback. Good. Textbook, May Have Highlights, Notes and/or Underlining, BOOK ONLYNO ACCESS CODE, NO CD, Ships with Emailed Tracking 1998. Princeton University Press ISBN 0691012342 9780691012346 [US]
ISBN10: 0691012342, ISBN13: 9780691012346, [publisher: Princeton University Press] Softcover 1998. 1st. Paperback. The author is a pivotal figure in the development of ethnographic cinema and visual anthropology. This title provides an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Editor(s): Taylor, Lucien. Num Pages: 328 pages, 25 halftones. BIC Classification: APFA; JHM. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 153 x 20. Weight in Grams: 518. . . . . . [Galway, GY, Ireland] [Publication Year: 1998]
Princeton University Press 1/14/1999 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Princeton University Press 1/14/1999 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Princeton University Press 1998 Trade paperback New 1998. 1st. Paperback. The author is a pivotal figure in the development of ethnographic cinema and visual anthropology. This title provides an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Editor(s): Taylor, Lucien. Num Pages: 328 pages, 25 halftones. BIC Classification: APFA; JHM. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 153 x 20. Weight in Grams: 518......We ship daily from our Bookshop.
ISBN10: 0691012342, ISBN13: 9780691012346, [publisher: Princeton University Press] Softcover 1998. 1st. Paperback. The author is a pivotal figure in the development of ethnographic cinema and visual anthropology. This title provides an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Editor(s): Taylor, Lucien. Num Pages: 328 pages, 25 halftones. BIC Classification: APFA; JHM. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 153 x 20. Weight in Grams: 518. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1998]
ISBN10: 0691012342, ISBN13: 9780691012346, [publisher: Princeton University Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the ...
Princeton University Press, Date: 1998-12-07. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1998. Princeton University Press ISBN 0691012342 9780691012346 [US]
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