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ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Harvard University Press] Hardcover Flawless, unread. No marks in text. Not a library book. Ships in a cardboard enclosure. One copy only of this title. Tim's Used Books, open shop in Provincetown, Massachusetts, known for good books at reasonable prices since 1991. [Provincetown, MA, U.S.A.] [Publication Year: 2018]
Belknap Press: An Imprint of Har 2018 hardcover Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Har] Hardcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2018]
Harvard University Press 4/27/2018 12: 00: 00 AM Hardcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2018]
Harvard University Press 4/27/2018 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Hardback. New. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried argues that the impressionists compelled readers not only to see what was described and narrated but also to see writing itself: the upward-facing page, pen and ink, the written script, the act of inscription. ISBN 0674980794 9780674980792 [GB]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press, Cambridge, Mass] Hardcover Hardcover. "My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel-it is, before all, to make you see. That-and no more, and it is every-thing." So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers' minds. If literary impressionism is anything, it is the project to turn prose into vision.But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends.What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work ...
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press] Hardcover New copy - Usually dispatched within 4 working days. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried argues that the impressionists compelled readers not only to see what was described and narrated but also to see writing itself: the upward-facing page, pen and ink, the written script, the act of inscription. [Southport, United Kingdom] [Publication Year: 2018]
Harvard University Press 4/27/2018 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Hardcover. New. Book Condition: New Hardcover Eastern Economy Edition textbook with identical content as the US version. Shipped Same Day. We do not ship APO and FPO. Will be dispatched fast. Please send me an email if you have any questions. 100% Satisfaction. ISBN 0674980794 9780674980792 [IN]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press, Cambridge, Mass] Hardcover Hardcover. "My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel-it is, before all, to make you see. That-and no more, and it is every-thing." So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers' minds. If literary impressionism is anything, it is the project to turn prose into vision.But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends.What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work ...
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Harvard University Press] Hardcover Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.62 [Tucson, AZ, U.S.A.] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Harvard University Press] Hardcover In [Uxbridge, United Kingdom] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Harvard University Press] Hardcover Buy with confidence! Book is in new, never-used condition [Amherst, NY, U.S.A.] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: BELKNAP PR] Hardcover If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried argues that the impressionists compelled readers not only to see what was described and narrated but also to see writing itself: the upward. [Greven, Germany] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Harvard University Press, Cambridge, Mass] Hardcover Hardcover. "My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel-it is, before all, to make you see. That-and no more, and it is every-thing." So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers' minds. If literary impressionism is anything, it is the project to turn prose into vision.But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends.What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work ...
Belknap Press: An Imprint of Harvard University Press. New. Special order direct from the distributor Belknap Press: An Imprint of Harvard University Press ISBN 0674980794 9780674980792 [CA]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: Belknap Press: An Imprint of Harvard University Press] Hardcover Special order direct from the distributor [Victoria, BC, Canada] [Publication Year: 2018]
ISBN10: 0674980794, ISBN13: 9780674980792, [publisher: BELKNAP PR] Hardcover If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried argues that the impressionists compelled readers not only to see what was described and narrated but also to see writing itself: the upward. [Greven, Germany] [Publication Year: 2018]
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