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US: The MIT Press, Date: 2000. 1st. Hardcover. Very Good/Very Good. Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel. Record # 352436 2000. The MIT Press ISBN 0262122294 9780262122290 [US]
US: The MIT Press. Hardcover. Very Good/Very Good. Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel. Record # 352437 The MIT Press ISBN 0262122294 9780262122290 [US]
ISBN10: 0262122294, ISBN13: 9780262122290, [publisher: The MIT Press] Hardcover Cambridge: The MIT Press, 2000. New, still in shrink wrap. No markings. [Easthampton, MA, U.S.A.] [Publication Year: 2000]
ISBN10: 0262122294, ISBN13: 9780262122290, [publisher: Mit Pr, Cumberland, Rhode Island] Hardcover First Edition As New/As New Condition. A very nice copy of this title. First Edition.; 4to - over 9¾ - 12" tall [Henniker, NH, U.S.A.] [Publication Year: 2000]
The MIT Press, Date: 2000-08-21. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 2000. The MIT Press ISBN 0262122294 9780262122290 [US]
ISBN10: 0262122294, ISBN13: 9780262122290, [publisher: The MIT Press] Hardcover 0262122294 [DH, SE, Spain] [Publication Year: 2000]
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