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Meatyard, Ralph Eugene (Photographer), and Davenport, Guy, Professor (Text by)
author size:
USD
190.00
price size:
Books 4 All via Alibris /Alibris
dealer size:
Steidl Publishing 2005 original edition with different, tipped on photo on linen Hard cover NewUnopened in original shrinkwrap. Ship in sturdy box with bubble wrap. First edition. Sewn binding. Cloth over boards. 320 p. Contains: Illustrations. Audience: General/trade.
Meatyard, Ralph Eugene (Photographer), and Davenport, Guy, Professor (Text by)
author size:
USD
187.00
price size:
Books 4 All via Alibris /Alibris
dealer size:
New York, NY Gerhagerrd Steidl 2004 First edition. Hard cover New. Different cover than pictured. Linen covered with tipped on image. Published for ICP show. Ship in sturdy box with bubble wrap. Sewn binding. Cloth over boards. 320 p. Contains: Illustrations. Audience: General/trade.
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl/ICP] Hardcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.4 [Hawthorne, CA, U.S.A.] [Publication Year: 2005]
Meatyard, Ralph Eugene, 1925-1972; Davenport, Guy; Young, Cynthia
author size:
USD
147.00
price size:
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
dealer size:
New York/Göttingen International Center of Photography/Steidl 2004 1st edition Hardcover VG. some foxing on corners Illustrated Ivory cloth covers. 299 pages: chiefly illustrations, The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera gently, creating ...
Meatyard Ralph Eugene 1925 1972; Davenport Guy; Young Cynthia
author size:
USD
140.00
price size:
Mullen Books, Inc. ABAA / ILAB /ABAA
dealer size:
New York/Göttingen: International Center of Photography/Steidl, Date: 2004. 1st edition. Hardcover. VG. some foxing on corners. Illustrated Ivory cloth covers. 299 pages : chiefly illustrations, The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera ...
Meatyard Ralph Eugene 1925 1972; Davenport Guy; Young Cynthia
author size:
USD
140.00
price size:
Mullen Books, Inc. ABAA / ILAB /Biblio
dealer size:
New York/Göttingen: International Center of Photography/Steidl, Date: 2004. 1st edition. Hardcover. VG. some foxing on corners. Illustrated Ivory cloth covers. 299 pages : chiefly illustrations, The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera ...
Meatyard, Ralph Eugene, 1925-1972; Davenport, Guy; Young, Cynthia
author size:
USD
140.00
price size:
Mullen Books, ABAA /Abebooks
dealer size:
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: International Center of Photography/Steidl, New York/Göttingen] Hardcover First Edition Illustrated Ivory cloth covers. 299 pages : chiefly illustrations, The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures ...
Meatyard Ralph Eugene photographer; Guy Davenport essay and interview
author size:
USD
125.00
price size:
Eric Chaim Kline - Bookseller /ABAA
dealer size:
Göttingen: Steidl, Date: 2004. First edition thus. Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray linen lettered in black, photo mounted on front cover. Profusely illustrated with photographic plates. "Published in conjunction with the exhibition Ralph Eugene Meatyard, organized by the International Center of Photography. Exhibition Dates: December 10, 2004 through February 27, 2005"--Colophon An earlier printing of Meatyard's work was done as An Aperture Monograph" in 1974. The photographs of Ralph Eugene Meatyard (1925-1972) defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the ...
Meatyard Ralph Eugene photographer; Guy Davenport essay and interview
author size:
USD
125.00
price size:
Eric Chaim Kline - Bookseller /Biblio
dealer size:
Göttingen: Steidl, Date: 2004. First edition thus. Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray linen lettered in black, photo mounted on front cover. Profusely illustrated with photographic plates. "Published in conjunction with the exhibition Ralph Eugene Meatyard, organized by the International Center of Photography. Exhibition Dates: December 10, 2004 through February 27, 2005"--Colophon An earlier printing of Meatyard's work was done as An Aperture Monograph" in 1974. The photographs of Ralph Eugene Meatyard (1925-1972) defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the ...
Meatyard, Ralph Eugene (photographer); Guy Davenport (essay and interview)
author size:
USD
125.00
price size:
ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB) /Abebooks
dealer size:
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl, Göttingen] Hardcover First Edition Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray linen lettered in black, photo mounted on front cover. Profusely illustrated with photographic plates. "Published in conjunction with the exhibition Ralph Eugene Meatyard, organized by the International Center of Photography. Exhibition Dates: December 10, 2004 through February 27, 2005"--Colophon An earlier printing of Meatyard's work was done as An Aperture Monograph" in 1974. The photographs of Ralph Eugene Meatyard (1925-1972) defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely ...
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl/ICP] Hardcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 3.4 [Hawthorne, CA, U.S.A.] [Publication Year: 2005]
Meatyard, Ralph Eugene (photographer); Guy Davenport (essay and interview)
author size:
USD
118.47
price size:
ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB) /ZVAB
dealer size:
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl, Göttingen] Hardcover First Edition Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray linen lettered in black, photo mounted on front cover. Profusely illustrated with photographic plates. "Published in conjunction with the exhibition Ralph Eugene Meatyard, organized by the International Center of Photography. Exhibition Dates: December 10, 2004 through February 27, 2005"--Colophon An earlier printing of Meatyard's work was done as An Aperture Monograph" in 1974. The photographs of Ralph Eugene Meatyard (1925-1972) defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely ...
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl/ICP] Hardcover Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within [Amherst, NY, U.S.A.] [Publication Year: 2005]
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl/ICP] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 2005]
Gottingen, Germany: Steidl, Date: 2004. First edition. Hardcover. Fine. Cloth boards with photograph on front cover. No markings. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed. 2004. Steidl ISBN 3865210651 9783865210654 [US]
Eugene, Ralph [photographer]; Davenport, Guy [essay]
author size:
USD
115.00
price size:
Blue Whale Books, ABAA /Abebooks
dealer size:
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl, Gottingen, Germany] Hardcover First Edition Cloth boards with photograph on front cover. No markings. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed. [Charlottesville, VA, U.S.A.] [Publication Year: 2004]
Meatyard, Ralph Eugene; Davenport, Guy; Young, Cynthia
author size:
USD
110.00
price size:
AFTER WORDS OF ANN ARBOR /Abebooks
dealer size:
ISBN10: 3865210651, ISBN13: 9783865210654, [publisher: Steidl, Germany] Hardcover First Edition Near fine, clean, tight, square and bright first edition bound in cream cloth with black titles and laid-on photo. Very faint dots of foxing on page edges, and light scuff to rear pastedown, otherwise unmarked and fine. No jacket as published. Catalog for an exhibition at the International Center for Photography in 2004-05. Introduction and interview by Young and essay by Davenport precede finely printed B&W plates one to a page. 299 pages include chronology, selected bibliography. The postal charges quoted are for an average-sized book. Due to size and weight of this item, additional postage may be required. [Ann Arbor, MI, U.S.A.] [Publication Year: 2004]
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