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You cannot find yourself by going into the past. You can find yourself by coming into the present.
Oxford University Press, USA 2005 Hard cover The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
Oxford University Press, USA 2005 Hard cover Good Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover First Edition Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). [Columbia, MO, U.S.A.] [Publication Year: 2005]
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Oxford University Press, USA 2005 Hard cover Good Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. [Frederick, MD, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. [Frederick, MD, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, Incorporated] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, Incorporated] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2005]
UsedGood. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials. ISBN 0195219236 9780195219234 [US]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials. [Interlochen, MI, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover wrapped in very protective plastic in excellent condition. Used - Very Good [Philadelphia, PA, U.S.A.] [Publication Year: 2005]
Oxford University Press, USA 2005 First Hard cover Excellent [ No Hassle 30 Day Returns ] [ Edition: First ] Publisher: Oxford University Press USA Pub Date: 2/21/2005 Binding: Hardcover Pages: 496.
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, USA] Hardcover By the end of the 15th century, the remains of the ancient gods littered the landscape of Western Europe. Christianity had erased the religions of ancient Greece and Rome and most Europeans believed the destruction of classical art was God's judgment on the pagan deities. How, then, did European artists during the next three centuries create such monumental works as Botticelli's The Birth of Venus and Raphael's Parnassus?In The Mirror of the Gods, Malcolm Bull tells the revolutionary story of how the great artists of Western Europe--from Botticelli and Leonardo to Titian and Rubens--revived the gods of ancient Greece and Rome. Each chapter focuses on a different deity and sheds dazzling new light on such familiar figures as Venus, Hercules, and Bacchus. Bull draws on hundreds of illustrations to illuminate the ancient myths through the eyes of Renaissance and Baroque artists, not as they appear in classical literature. When the wealthy and powerful princes of Christian Europe began to identify with the pagan gods, myth became the artist's medium for telling the story of his own time. The Mirror of the Gods is the fascinating and extraordinary story of how Renaissance artists combined mythological imagery and artistic virtuosity to change the course of western art.The Mirror of the Gods profoundly deepens our understanding of some of the gr ...
Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0195219236 9780195219234 [US]
Oxford University Press. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Oxford University Press ISBN 0195219236 9780195219234 [US]
Oxford University Press, USA 2005 Hard cover Good All orders ship SAME or NEXT business day. Expedited shipments will be received in 1-5 business days within the United States. We proudly ship to APO/FPO addresses. 100% Satisfaction Guaranteed!
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, Incorporated] Hardcover Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy. [Grandview Heights, OH, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.89 [Tucson, AZ, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. [Portland, ME, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, Oxford] Hardcover First Edition Fine hardback copy in fine dustjacket. xi, 465pp., colour and b/w illustrations [La Charite sur Loire, France] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: OXFORD UNIV PR] Hardcover 496 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. By the end of the 15th century, the remains of the ancient gods littered the landscape of Western Europe. Christianity had erased the religions of ancient Greece and Rome and most Europeans believed the destruction of classical art was God's judgment on the pagan deities. How, then, did European artists during the next three centuries create such monumental works as Botticelli's The Birth of Venus and Raphael's Parnassus? In The Mirror of the Gods, Malcolm Bull tells the revolutionary story of how the great artists of Western Europe--from Botticelli and Leonardo to Titian and Rubens--revived the gods of ancient Greece and Rome. Each chapter focuses on a different deity and sheds dazzling new light on such familiar figures as Venus, Hercules, and Bacchus. Bull draws on hundreds of illustrations to illuminate the ancient myths through the eyes of Renaissance and Baroque artists, not as they appear in classical literature. When the wealthy and powerful princes of Christian Europe began to identify with the pagan gods, myth became the artist's medium for telling the ...
Oxford University Press 2005 Hardcover Very good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 2005]
New York Oxford University Press 2005 Hardcover 465 pgs. A hardcover book in fine condition with like dust jacket. Filled with many black and white images, with two sections of color plates.
New York: Oxford University Press, Date: 2005. Hardcover. 465 pgs. A hardcover book in fine condition with like dust jacket. Filled with many black and white images, with two sections of color plates. 2005. Oxford University Press ISBN 0195219236 9780195219234 [US]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, New York] Hardcover 465 pgs. A hardcover book in fine condition with like dust jacket. Filled with many black and white images, with two sections of color plates. [Dayton, OH, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, USA] Hardcover Hardcover goldenrod boards with sea foam green spine and gilt lettering. Includes color and b/w illustrations, Appendix, Notes, Bibliography and Index, 465 pages. The DJ is in Near Fine condition with the exception of a inventory sticker on the rear wrapper. [Ojai, CA, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press, New York] Hardcover text clean and unmarked. binding tight. boards have light wear. edges of pages have light wear. dust jacket has light wear. [Eugene, OR, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: OXFORD UNIV PR] Hardcover 496 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. By the end of the 15th century, the remains of the ancient gods littered the landscape of Western Europe. Christianity had erased the religions of ancient Greece and Rome and most Europeans believed the destruction of classical art was God's judgment on the pagan deities. How, then, did European artists during the next three centuries create such monumental works as Botticelli's The Birth of Venus and Raphael's Parnassus? In The Mirror of the Gods, Malcolm Bull tells the revolutionary story of how the great artists of Western Europe--from Botticelli and Leonardo to Titian and Rubens--revived the gods of ancient Greece and Rome. Each chapter focuses on a different deity and sheds dazzling new light on such familiar figures as Venus, Hercules, and Bacchus. Bull draws on hundreds of illustrations to illuminate the ancient myths through the eyes of Renaissance and Baroque artists, not as they appear in classical literature. When the wealthy and powerful princes of Christian Europe began to identify with the pagan gods, myth became the artist's medium for telling the ...
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD. [Suffolk, United Kingdom] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Oxford University Press, Oxford (.), 2005. XI,465p. Richly ills.(B&W and some full-colour pictures). Hard bound. ?This book is most valuable for its overview of a vast field - the reception of classical mythology throughout European art and literature from the fourteenth through the seventeenth centuries. It surveys the literary sources that spurred the revival of interest in the pagan gods and categories the types of artistic objects - domestic furnishings, painting, sculpture, prints, tapestries, manuscripts, and majolica - where their images appeared. Bull conclues that Hercules, Jupiter, Venus, Bacchus, Diana, and Apollo were the most frequently depicted, and accordingly devotes a chapter to each. The final chapter analyses the selection pattern attributing it to individual choices of patrons interested in astrology, and hence planetary deities, and in subject matter involving amorous encounters or exotic animals. The epilogue explains the thematic distribution in terms os mythology supplying what Christianity eschewed, an imagery of sexuality, fertility and secular power. (?) His large scope allows Bill to make a number of interesting general observations. He frames his remarks about mythological art in the Renaissance and Baroque periods by contrast with its Greco-roman origins to underscore the very different circumstances in the later epoch, where no one believed in t ...
Oxford University Press, Oxford (...), 2005. XI,465p. Richly ills.(B&W and some full-colour pictures). Hard bound. ?This book is most valuable for its overview of a vast field - the reception of classical mythology throughout European art and literature from the fourteenth through the seventeenth centuries. It surveys the literary sources that spurred the revival of interest in the pagan gods and categories the types of artistic objects - domestic furnishings, painting, sculpture, prints, tapestries, manuscripts, and majolica - where their images appeared. Bull conclues that Hercules, Jupiter, Venus, Bacchus, Diana, and Apollo were the most frequently depicted, and accordingly devotes a chapter to each. The final chapter analyses the selection pattern attributing it to individual choices of patrons interested in astrology, and hence planetary deities, and in subject matter involving amorous encounters or exotic animals. The epilogue explains the thematic distribution in terms os mythology supplying what Christianity eschewed, an imagery of sexuality, fertility and secular power. (?) His large scope allows Bill to make a number of interesting general observations. He frames his remarks about mythological art in the Renaissance and Baroque periods by contrast with its Greco-roman origins to underscore the very different circumstances in the later epoch, where no one believed in the pagan gods and very little precise information survived about their imagery?s ritual use and ...
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover Oxford University Press, Oxford (.), 2005. XI,465p. Richly ills.(B&W and some full-colour pictures). Hard bound. ?This book is most valuable for its overview of a vast field - the reception of classical mythology throughout European art and literature from the fourteenth through the seventeenth centuries. It surveys the literary sources that spurred the revival of interest in the pagan gods and categories the types of artistic objects - domestic furnishings, painting, sculpture, prints, tapestries, manuscripts, and majolica - where their images appeared. Bull conclues that Hercules, Jupiter, Venus, Bacchus, Diana, and Apollo were the most frequently depicted, and accordingly devotes a chapter to each. The final chapter analyses the selection pattern attributing it to individual choices of patrons interested in astrology, and hence planetary deities, and in subject matter involving amorous encounters or exotic animals. The epilogue explains the thematic distribution in terms os mythology supplying what Christianity eschewed, an imagery of sexuality, fertility and secular power. (?) His large scope allows Bill to make a number of interesting general observations. He frames his remarks about mythological art in the Renaissance and Baroque periods by contrast with its Greco-roman origins to underscore the very different circumstances in the later epoch, where no one believed in t ...
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover First Edition First edition, first printing (full number line). Text is clean and unmarked, binding tight, DJ unclipped and in excellent condition, no indications of previous ownership. At the top of Fine [New York, NY, U.S.A.] [Publication Year: 2005]
ISBN10: 0195219236, ISBN13: 9780195219234, [publisher: Oxford University Press] Hardcover NEW BOOK in NEW DUST JACKET: "How Renaissance Artists Rediscovered the Pagan Gods". (Oxford University Press, 2005) Location: R 62 [Greenville, ME, U.S.A.] [Publication Year: 2005]
Oxford, Etc.: Oxford University Press, Date: 2005. [xi] 464 [1]p., 141 b/w illus., 16 colored plates, dj. 2005. Oxford University Press ISBN 0195219236 9780195219234 [US]
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.