ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: The MIT Press] Hardcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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The MIT Press 2009 Hardcover Good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: MIT Press] Hardcover First Edition Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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MIT Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. MIT Press ISBN 0262013002 9780262013000 [US]

The MIT Press, April Date: 2009. Hardcover. Used - Very Good. 2009. The MIT Press ISBN 0262013002 9780262013000 [US]

Washington, DC: National Portrait Gallery, Smithsonian Institution, Date: 2009. Hardcover. VG. BW pictorial paper over boards; 319 pp.; Profusely illustrated with 103 color plates and numerous color and bw figures. Accompanied the exhibition of the same name; Includes six essays by various authors, as well as an artist chronology; Extensive annotations accompany the plates. 2009. National Portrait Gallery, Smithsonian Institution ISBN 0262013002 US

National Portrait Gallery/MIT. Used - Like New. 2009. 1st Edition. Hardcover. Publisher's mark on text block. Otherwise, Fine. National Portrait Gallery/MIT ISBN 0262013002 9780262013000 [US]

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: National Portrait Gallery, Smithsonian Institution, Washington, DC] Hardcover BW pictorial paper over boards; 319 pp.; Profusely illustrated with 103 color plates and numerous color and bw figures. Accompanied the exhibition of the same name; Includes six essays by various authors, as well as an artist chronology; Extensive annotations accompany the plates.
[Marietta, PA, U.S.A.] [Publication Year: 2009]
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MIT Press 2009 Hard cover Very Good 2009. Hardcover. Cloth, dj. Minor shelf-wear. Very Good. (Subject: Art).

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: The MIT Press] Hardcover An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Bote-en-Valise a ...

The MIT Press, Date: 2009-04-10. 1. hardcover. Used: Good. 2009. The MIT Press ISBN 0262013002 9780262013000 [US]

Washington D.C. and Cambridge, MA: National Portrait Gallery, Smithsonian Institution; MIT Press, Date: 2009. Pictorial boards, 319 pages, illustrations (some colour), portraits; 32 cm. Exhibition held at the National Portrait Gallery, Smithsonian Institution, Washington, D.C., March 27, 2009 to August 2, 2009. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray." - Publisher. CONTENTS: Inventing Marcel Duchamp: the dynamics of portraiture, by Anne Collins Goodyear and James W. McManus; The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours, by Francis M. Naumann; Bachelorettes, by Janine A. Mileaf; Not seen and/or less seen: hiding in front of the camera, by James W. McManus; Constructing a "made-up history": self-portrayal and the legacy of Marcel Duchamp, by Anne Collins Goodyear; Marcel Duchamp and portraiture, by Michael R. Taylor.. 1st. Hardcover. Fine. Folio. Collectible. 2009. National Portrait Gallery, Smithsonian Institution; MIT Press ISBN 0262013002 9780262013000 [US]

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: The MIT Press] Hardcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
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ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: MIT Press] Hardcover ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING
[LONDON, United Kingdom] [Publication Year: 2009]

Cambridge, Massachusetts The MIT Press 2009 1st Edition Hardcover Fine Hardcover, large quarto. 319 pages. Chronology, bibliography. Profusely illustrated, including color illustrations. The authors curated the exhibition at the Smithsonian Institution. A truly comprehensive sourcebook and beautifully illustrated.

sunned spine Date: 2009. The Mit Press ISBN 0262013002 9780262013000 [US]

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: National Portrait Gallery and MIT Press] Hardcover Hardcover without dustjacket as issued; 320 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
[New York, NY, U.S.A.] [Publication Year: 2009]

MIT Press, 24/04/Date: 2009 00:00:01. hardcover. Very Good. 3.0976 in x 31.0764 in x 23.6820 in. 2009. MIT Press ISBN 0262013002 9780262013000 [GB]

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: The MIT Press] Hardcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
[Portland, ME, U.S.A.] [Publication Year: 2009]

ISBN10: 0262013002, ISBN13: 9780262013000, [publisher: The MIT Press] Hardcover An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Bote-en-Valise a ...

Cumberland, Rhode Island, U.S.A. Mit Pr 2009 1st Edition Hardcover New in None Issued jacket 4to-over 9¾"-12" tall This is a New and Unread copy of the first edition.

Washington, DC: National Portrait Gallery, Smithsonian Institution, Date: 2009. Hardcover. New in shrinkwrap.. BW pictorial paper over boards; 319 pp.; Profusely illustrated with 103 color plates and numerous color and bw figures. Accompanied the exhibition of the same name; Includes six essays by various authors, as well as an artist chronology; Extensive annotations accompany the plates. 2009. National Portrait Gallery, Smithsonian Institution ISBN 0262013002 9780262013000 [US]

MIT Press 2009 Hard cover New.

MIT Press 2009 hardcover Very good ALL ITEMS ARE SENT BY ROYAL MAIL.

MIT Press, Date: 2009. Hardcover. New. A clean crisp well preserved 2009 MIT Press hardcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self- ...